Directing
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.
After years spent working as a prostitute in her Italian village, middle-aged Mamma Roma has saved enough money to buy herself a fruit stand so that she can have a respectable middle-class life and reestablish contact with the 16-year-old son she abandoned when he was an infant. But her former pimp threatens to expose her sordid past, and her troubled son seems destined to fall into a life of crime and violence.
Documentary on life in rural Italy.
No description available.
Four short films by four different directors dealing with the principles of modern life. "Illibatezza" (Rossellini): The hostess Anna Maria, to dissuade an aggressive suitor who prefers maternal tendencies, assumes an unscrupulous attitude, obeying the suggestions of her distant boyfriend. "The New World" (Godard): The deflagration of an atomic bomb causes strange effects on the inhabitants of a city. "La ricotta" (Pasolini): During the filming of a film about a religious subject, the extra Stracci dies hanging on the cross due to an indigestion of ricotta. "Il pollo spante" (Gregoretti): While an expert illustrates to a board of merchants the most modern techniques to increase sales through the discovery of the secret self of the average consumer, the human story of a bourgeois who, following these suggestions, focuses on the purchase of a plot of land in the countryside.
Francesco Maselli pitched this documentary to the CGIL, CISL, and UIL trade unions as part of the 1.5 million-strong protest march on November 12, 1994 against Silvio Berlusconi's projects on social security and the reform of the pension system. A large number of directors, cinematographers, camera operators and technicians from all over the country worked for free in 22 different crews, chronicling one of largest political gatherings ever held in Italy.
An attempt to reconstruct the complete version of Pier Paolo Pasolini's segment of La rabbia.
Based on a book by Juan Carlo Onetti, the film tells the story of Ossario, a hunted revolutionary leader who sees his comrades die one after another.
Five Disturbing Stories offers us as many adaptations from the stories of the American writer Stanely Ellin. Set in Italy between Genoa, Turin and Milan, they illustrate the darkest part of our existence while the detective story derails towards a daily horror
Portrait of Pier Paolo Pasolini and his literary and cinematographic activity in the proletarian Rome.
A look back at the life and works of Michelangelo Antonioni.
A documentary on the life, work, and character of Michelangelo Antonioni.
The story of La Rabbia by Pier Paolo Pasolini and Giovanni Guareschi, a movie lost in the archives of a laboratory in Rome, and recently re-discovered.
Two men on a lonely island. Based on Beckett.
