Virginia Lago
Acting
Biography
Virginia Lago (born May 22, 1940, in San Martín, Argentina) is a leading Argentine actress with an extensive career in theater, film, and television. She gained particular notoriety as the host of the popular film cycle *Historias de corazón*, broadcast on Telefe. Virginia Lago was born in San Martín, north of Greater Buenos Aires. She lived in Villa Ballester until she was 20 years old. She completed her primary education at School No. 11 "Roberto Noble" and her secondary studies at the Tomás Guido school in San Martín. She is a cousin and was a neighbor of the actress Zully Moreno, who also resided in the area. In 1963, she delivered a standout performance in the play *Pygmalion*. She studied theater with Marcelo Lavalle and Roberto Durán at the Institute of Modern Art, and through acting, she learned from a wide array of performers. In 1966, she worked on the program *Galería Polyana*, which aired with great success from May to October on Canal 9. The show ran Monday through Friday, based on scripts by playwright Clara Giol Bressan, and featured a cast that included Susana Campos, Fanny Navarro, Enzo Viena, Ricardo Passano, Patricia Shaw, Aída Luz, María José Demare, Nelly Darén, and Gloria Raines.
Known For
Mujeres de nadie (Nobody's Women) is an Argentine telenovela produced by Pol-ka and broadcast by El Trece from May 10, 2007, to November 17, 2008
Mujeres de nadie
No description available.
Alta comedia
Anthology series, in which every episode introduces fictionalized versions of real cases about women who, for different reasons, ended up committing murder.
Killer Women
Montecristo was an Argentine telenovela produced by Grupo Telefe, premiered on April 24, 2006, on Telefe, which achieved great national and international success.
Montecristo
No description available.
El amor tiene cara de mujer
The first part of the story begins when Juan's little daughter (Ethan Wayne), María Bonangelo (Grecia Colmenares), is adopted by the wealthy family of Encarnación and Manuel Olazábal, after the death of their biological mother, Amalia (Amanda Sandrelli ). María receives the last name of her new family, as well as two adoptive relatives: her sister Victoria (Viviana Saccone) and her aunt Asunción (Luisa Kuliok). The girls Victoria and María grow up as true sisters in a family ranch: "La Esperanza", until they arrive in the city of Santa María with their parents at approximately 20 years of age.
Más allá del horizonte
A philosophy teacher is raped by her night school students.
La patota
An epic about one of the most turbulent times in the recent history of the Buenos Aires suburbs. In this context, a group of idealists emerges who are specifically called: "The bastards."
Los bastardos
No description available.
Cain y Abel
The accident of a couple on the road opens dozens of questions. The woman's body has disappeared. The man remains in a coma. The identity of both reveals a secret: they were not husbands, they were lovers. Three years earlier, a friendship between two marriages became a prelude to that forbidden love. Raquel and Damián, well-off fishing entrepreneurs, meet Carolina and Santiago, a young housewife and her husband, an expanding construction worker.
Amar, después de amar
The film tells the story of a real life fan of Boca Juniors football club, Mary Esher Duffau, who as a teenage girl adopted the identity of a man in order to survive on the streets of Buenos Aires. The film shows the teenage Raulito wandering between a reformatory for juvenile offenders, prison and psychiatric hospital. Raulito manages to escape, and finds work at Constitución railway station in Barrio Constitución. Raulito meets up with another street child and they become close friends. They both eventually manage to escape to Mar del Plata.
La Raulito
The story takes place in the Sicily of the 30s and its protagonists, Giuliana (Luisa Kuliok) and Luca (Osvaldo Laport), are seen intermingled in the games of the mafia and local power.
Cosecharás tu siembra
Between farce and grotesque, John, who has lost his job, in a collective versea values of a knife sharpener, can not against debts contracted or can with his family, wife and two kids. One day, the woman left, runs out of credit and Juan is left with only his dream of being a radio announcer.
El verso
As soon as his boss discovers his betrayal, Luciano must flee, abandoning his life in the mafia and crime behind him. His options are limited, and the longer he waits, the greater the chances of being captured. However, when Luciano encounters a prostitute with a serious illness, he finds shelter in her home and begins to devise a plan to save his own life.
Morte Para Um Covarde
Upon learning of the murder of a friend, a police inspector sets out to take justice on his own. This attitude, contrary to his usual convictions, will gradually destroy him.
Orden de matar
Quirky but lovable priest is transferred to a new parish, and discovers that his flock all need stern talkings-to.
¡Al diablo con este cura!
The title of this story is taken from the name of the great Argentine singer Carlos Gardel, the idol of the antihero Toribio portrayed by Alberto Argibay. Toribio's goal in life is to emulate the famous singer and making his own way successfully in the music business. Yet at the same time, he does not stop his illegal means of making ends meet, stealing and petty thievery. Discouraged when his big break never quite materializes, Toribio heads for disaster when he joins up with a large smuggling scheme.
Alias Gardelito
No description available.
Juguemos en el mundo
It describes the dilemma of a director in front of his characters and the search for a fetish actor who ends up being his great love. As if it were a documentary, the director remembers moments of his life and fragments of the filming of his film. That film tells the story of a poet who comes from the 19th century and contemplates the pain of the 20th century. There are tributes to her ancestors, especially her Piedmontese grandmother and her contemporary idols: actress Bárbara Mugica and Luchino Visconti.
El fuego y el soñador
An honest worker is forced to commit a crime for social reasons and unpleasant personal circumstances. After serving a prison sentence, he tries to rebuild his life.