T. P. Muthulakshmi

After the East India Company forces Kattabomman, the king of Panchalankurichi, to pay taxes and be their subordinate, the latter decides to fight against them.

A rich man decides to take a vacation after working for two years straight. However, upon arrival, he is shocked to find that his caretaker, Krishnaiah, is missing after renting his Shimla bungalow.

Set against the backdrop of World War II, three brothers are separated by war while their sister Kalyani faces immense struggles after being widowed and left destitute. As each sibling endures hardship and societal injustice, their paths cross in unexpected ways, culminating in a dramatic courtroom trial that exposes the harsh realities of their world and sets the stage for a powerful family reunion.

Chandrasekaran, an industrialist, is very successful in his business and has a loving family. His three sons and two daughters live happily as one family. He brings up an orphan, Rangan (Sivaji Ganesan), who is utterly devoted to the family. Calamity strikes the family in the form of loss in business. The last daughter's marriage gets cancelled. The brothers and their wives ill-treat their parents and Rangan and his wife. Seeing this Chandrasekaran has no choice to ask Rangan and his wife leave their house. Aftermath Chandrasekaran dies a broken-hearted man leaving his wife and youngest daughter to be in their children's merciless hospitality. Rangan, with his simplicity and pure-hardheartedness, takes it upon himself to look after the mother and sister. In the end, he proves that love and affection is the greatest wealth.

The king of Mullai nadu appoints Veera Mohan as the General of the army. Raja guru, the head priest and Parthiban, his son are enraged by this decision. This turns Parthiban into a bandit.

Amidst a troubled kingdom that currently has no ruler, a revolutionary finds himself to be a lookalike of a prince who was to be crowned king. He takes his place but can he outsmart the real culprit?

After a fight with her father on who her future husband should be, Nalina leaves home on the first night of Navaratri. For the next nine days, she experiences nine types of human behaviour.

A thief breaks into a wealthy man's house unaware that the man is his father, who had abandoned his mother and him a long time ago.

The story revolves around Selvam, an easygoing youngster who befriends many girls without the intention of marrying any of them.

Manohara produced by M. Somasundaram. The Sivaji Ganesan-L. V. Prasad production was distinct, becoming a cult classic. Karunanidhi virtually rewrote Mudaliar’s play, introducing interesting changes like the climactic sequence for which he drew inspiration from “Samson and Delilah”, especially the part where the blind Samson pushes the pillars down. Mu. Karunanidhi’s writing was superb with a contemporary touch. His dialogue had punch, satire, wit and humour. Sivaji Ganesan was excellent in his dialogue delivery and P. Kannamba who played the queen mother was equally brilliant. Her line, ‘Poruthathu podhum, pongi ezhu, maganey’, became quite famous.

Chinna Durai(V. K. Ramaswamy) dislikes his brother-in-law, Kanagasabi(V. S. Raghavan) stands in the way of a marriage arrangement for his daughter Malathy(Vanisri) and Kanagasabi's son Ravi(Jaishankar). The film deals with how Ravi's resourcefulness helps him in getting Malathi's hand in marriage.

Thirumbi Paar, directed by T. R. Sundaram, was an interesting film in which Sivaji Ganesan played a role with negative shades. The character dabbles in avenues such as journalism and politics. T. P. Muthulakshmi plays the dumb wife of an elderly husband (K. A. Thangavelu) who goes to work early. Sivaji Ganesan, a seducer, who sneaks into the dumb woman’s house, alters the clock to send the husband away well before the usual time. This sequence was mercilessly scissored by the censors and what was left lost its touch of satire and innuendo!

One day, a landlord belonging to a rich family gets murdered and the crime is imposed on Anandar, his innocent brother, and his lovely wife Karpagavalli.

A king Parthiban (Ramadas) gifts a rare anklet (salangai) to a dancer Aparajita (Kumari Madhuri). She begets the king's son, Amarendran and hands him over to a priest along with the anklet. Amarendran also happens to meet a beautiful singer Shantha (Savithri), who falls in love with her and this plot forms the rest of the story.

Harichandra (Tamil: ஹரிச்சந்திரா) is a 1968 Indian Tamil film, directed by K. S. Prakash Rao and produced by G. Varalakshmi. The film stars Sivaji Ganesan, G. Varalakshmi, T. S. Balaiah and K. A. Thangavelu in lead roles. The film had musical score by K. V. Mahadevan

Ganesh's father is falsely accused of a crime and murdered in prison. Years later, his mother asks him to exact revenge against the culprit.

No description available.

Arivaali (Genius) is a 1963 Tamil language drama film written, produced and directed by A. T. Krishnaswami. The film features Sivaji Ganesan and P. Bhanumathi in lead roles. The film, had musical score by S. V. Venkatraman and was released on 1 March 1963.

No description available.

Mannaru falls in love with his neighbour, Leela, who is a skilled dancer and singer. Realising that he could woo Leela through music, Mannaru seeks help from his musically talented friend.