Álvaro Matute

Gloria encounters Francisco, a man whose social veneer betrays a truer self burrowed underneath.

A slapstick fantasy of the amorous adventures of a magician a la Cantinflas.

A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.

Cantinflas is a clumsy fireman, who one day receives the visit of his little goddaughter, whose mother recently died in the jungle. After having work in a few fires, Cantinflas decided to quit and become a policeman, because is less dangerous. Everything goes well until a gang of gangsters kidnap the girl, because of a monetary inheritance.

In the drama, a father, firmly believing that the baby daughter in his arms is not his own, abandons her upon the doorstep of the town drunk. Many years pass, and the man finds himself continually wracked with guilt about deserting her.

Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!

The dynamics of a typical middle-class family are shaken up after the introduction of an enthusiastic door-to-door vacuum salesman.

Strong-willed Luisa attracts lots of men, but her intelligence and sharp tongue often sends them running. When she meets Carlos, who is equally cagey, sparks fly. The two of them marry, and quickly begin clashing on a daily basis, humiliating each other as they try to teach one another lesson after lesson.

Marta is obsessed with protecting her son from the genetic predisposition to schizophrenia that she has hidden from her husband.

Mr. X is convicted of killing Mr. Y and serves a jail sentence. After being released, he discovers that Mr. Y is still alive...

A peasant who works in a mahogany camp in the Mexican jungles with his family is disgusted with the miserable living conditions imposed upon himself and his co-workers, the peasant finally spearheads a revolt against the sadistic bosses.

A woman, after committing a murder, flees into a church, confessing her life story to a priest.

Two women are installed in the cabin of a ship that was already occupied by two gentlemen.

No description available.

A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.

Neutron, a masked wrestler/superhero, battles a gang of crooks who are plotting to steal a secret formula.

Dr. Pablo, something womanizer, going to marry with Mini and cheats África, singer and his lover, telling her to wait while she is on tour in Cuba. With her, he poses as a friend industrial, Ricardo and his intention is not to see her again. While Africa is out he marries Mini, which proves to be terribly jealous. Complications ensue when Africa returns to Mexico and start searching for the fake Richard. By chance a friend of Mini will be in a beauty salon and this ensures she can take to "Ricardo" because is "a friend of her husband". A typical sitcom with a blistering pace.

In this Romantic-Comedy from Director Rene Cardona, Actress Maria Elena Marques plays a hard-living woman named Leticia, who suffers from a recently broken heart after being deceived by her ex-boyfriend. Soured on anything to do with love and while drinking away her sorrows, she sets out to marry the very first man she sees. This man just happens to be a nice guy named Roberto, (Abel Salazar). Although the pair's mutual attraction to each other is obvious, Roberto has no idea what he is in for, and he soon proposes. Not long after the marriage, Leticia starts to take advantage of both Roberto and her new Father-in-Law (played by Oscar Pulido), who shows kindness towards the girl. Predictably, marital bliss soon turns into discord, and the couple agree to divorce after a year passes. Their love-hate relationship and pending break-up provides a perfect backdrop for several comedic situations before the two realize that they are actually in love.

A nightclub performer decides to raise the baby boy she found abandoned in a trash can, putting her job and social life in jeopardy.

A Mexican family drama.