Acting
Psychotic serial killer Mr. Kidnap uses a video store as a front for his human slaughterhouse, mutilating his victims with some help from his sadistic sister Jezebel and their gaunt brother Willy.
In a dreamlike Buenos Aires, Gay crusing is assimilated to vampire culture.
One day a mysterious lady appears at Detective Henry Chandler's office who wants to know everything related to the Froggy, an extraterrestrial race that plans to invade Earth to find the Krown crown, which grants certain powers to control time. Unfortunately, Chandler is not a highly skilled detective.
Experimental documentary short starring Batato Barea and Peter Pank, filmed in July 1991
A journey of years through many countries and film festivals; a nostalgic, adrenaline-fueled and rock-spirited immersion into the universe of cinephilia, in search of genre specialists, fans and filmmakers who speak of their shared passion for fantastic cinema; a whole international spiritual community united under the cathartic shadow of horror.
A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.
Argentinean filmmakers talk about the Buenos Aires Rojo Sangre Film Festival and the history of genre cinema in Argentina.
A short film inspired by Austin Osman Spare’s first book released on DVD by Fulgur Limited. The film was produced in Argentina by Mor Navon and Julian Moguillansky. Contains nudity and moderate sex references
A remake of the 1943 film of the same name.
Batato Barea, the “clown/intellectual/transvestite” was a genius of the underground scene who was able to represent all the nuances of a changing country with his own poetic radicalism, in such a unique way that it made him irreplaceable. That paradox is the basis for this documentary by Peter Pank and Goyo Anchou, two authors in search of a character and his legacy, but also his irreplaceable presence and instantaneous, evanescent theatricality, which challenged every mandate and convention.
