Pēteris Krilovs

The film dramatizes November 11, 1919- a crucial date in the battle for Latvian independence. A year after the end of the official hostilities of WWI, a renegade German general and troops remain outside the Latvian capital. Latvian riflemen, most of them inexperienced volunteers, somehow managed to defeat a larger, better-armed force of German and Russian mercenaries.

Ilze Burkovska, a little girl who is obsessed with stories of World War II and will be a filmmaker in a distant future, lives in Latvia under the totalitarian boot of the Soviets and the ominous shadow of the many menaces and horrors of the Cold War.

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A short film based on motifs from Jānis Jaunsudrabiņš' book "Es stastu savai sievai" (I Tell My Wife).

An ecranisation of an Anšlavs Eglītis's novel of the same title is an ironic story about the Latvian art scene during the 30ies.

After the train conductor Pētersons receives money transfer from an unknown source, he suspects foul play involving the cargo he's transporting. He decides to do his own investigation into the matter, not realizing that he's putting himself and those around him in danger.

Post-war Latvia. Francis' gang operates in a small town and the new KGB agent Juris Vilks has been asked to infiltrate his gang and gain his confidence.

At fifty years of age, film director Ivars Jansons has been unlucky in both his personal life and his creative work. Something inside him has broken under the constant pressure of compromise. Having left the big city and returned to his homeland, Ivars tries to rebuild his broken relationships with his wife, his son who grew up without him, and his friends who are trying to revive their creative imagination with the help of memories. The illusion of returning to the dreams and ideals of his youth and his selfish focus on himself prevent him from deeply and truly feeling the experiences of his loved ones and averting the impending tragedy.

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Jānis was an actor – respected and in demand. Dina came to the Liepāja Theatre to become an actress. In the summer of 1992, Jānis fell off the roof of his house, broke his back and was partially paralysed. The doctors promised things would get better but they didn’t. They now live in a harsh reality which seems unbearable.

A bureaucrat who has just declared himself as a new political force has disappeared… in a canteen; police are investigating. Combining the absurd and black humour, a harsh and ironic reflection on civil servants, cops, and contemporary art.

The code to unlocking this feature documentary is 1949, the year the director was born, and also the year of the return of Soviet repressions to Latvia. The film tells a very personal story against the background of less visited historic events – the death of director’s father due to the KGB repressions, which is closely linked to the devious game Soviet Latvia’s KGB played against Swedish-British-American spy agencies.

After his family was introduced on a national TV as a "perfect family", the son Robert has a hard time confronting all the lies related to this accidental fame.

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Direct and meticulous observation of interpersonal relations is a classic subject in documentary films. In this film the title of which alludes to “Hamlet”, we will observe the birth of compassion in people. Compassion is something that has to be dealt with in very rigorous terms, something that needs to be stripped of the layers of clichés that this word has amassed over the years. Is it always a true feeling or just an imitation? How does a deep compassion spring forth? Who are the true “masters of compassion” and what are they like?

The relationship between humans and a river throughout the seasons.

Latvian artist Gustavs Klucis embraced the technological revolution of the early 20th century and applied it to his art, becoming a classic of Russian constructivism. He created photo-montage and Lenin’s public image, and became the most important Soviet artist. Killed by Stalin’s regime, his artistic career poses many unanswered questions. This documentary reveals many secrets and intimate moments of his dramatic personality – the unequal duel between the Artist and the Power.

In the Gulf of Finland shipwreck hunters come across the remains of a sunken ship. Having examined the images obtained by an underwater robot, researchers come to a conclusion that the wreck remains are that of “Krišjānis Valdemārs” – independent Latvia´s first icebreaker. The story of an icebreaker allows viewers to the look at the history of Latvia between wars from a new angle and provides insights into the little known, but fascinating episodes of a maritime history.

An attempt to conjure up the legend of Jānis Tīdemans, a bright star of Latvian artistic bohemia of the 1930s, and his complicated family life. A theatrical journey through time and space. Paris. Riga. Poverty. Recognition and fame. The artistic detective answers the romantic longing of the viewer, who he "really" was...