Writing
A gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake.
The mysterious Count Orlok summons a happily married real estate agent to his castle, located up in the Transylvanian mountains, to finalise a terrifying deal.
A real estate agent leaves behind his beautiful wife to go to Transylvania to visit the mysterious Count Dracula and formalize the purchase of a property in Wismar.
In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
A poet is hired by the owner of a wax museum in a circus to write tales about Harun al Raschid, Ivan the Terrible and Jack the Ripper. While writing, the poet and the daughter of the owner, Eva, fantasize the fantastic stories and fall in love for each other.
In the nineteenth century a young Jewish woman living in the part of Poland controlled by Austria, meets an Austrian Count at a ball held by one of her father's business associates. After he rescues her from the unwanted attentions of a Polish army officer, they fall in love.
A young academic decides to accept guardianship of the daughter of a late friend. Expecting her to be a young child, the household is shocked to find out she is in fact a young woman. The two marry but more miscommunications cause troubles in their relationship.
A young noble feels that inflation does not stop at the nobility when she becomes impoverished overnight. As an actress, she struggles and is finally hired by a revue theater through the agency of a Russian emigrant.
Mia Verhag loses her job as a chorus singer when she rejects the advances of the theatre director. While she is in the grips of despair, she encounters the millionaire Roswolsky, who takes her to his luxurious house and gives her a key to the garden gate, allowing her to visit the surrounding park whenever she pleases. This chance meeting sends rumours flying everywhere, and soon Mia appears on the front pages of all the newspapers as Roswolsky’s mistress. The city’s merchants and creditors compete to lend her money, and she lands the leading role in the theatre’s new production. There, she falls in love with Count Albich – but, believing the rumours, he avoids her. Mia follows him to Monte Carlo, while Roswolsky himself falls genuinely in love with her and plots to take Albich out of the running. A grand drama is set to unfold.
New sound design and a neon color palette offer a fresh take on the horror classic. A mysterious count travels to Germany bearing a deadly secret.
For Balduin, going out to beer parties with his fellow students and fighting out disputes at the tip of the sword have lost their charms. He wants to find love; but how would he, a penniless student, ever dare looking up to any woman worth of loving? Absorbed in his dreary thoughts and indifferent to the advances of Lyduschka, Balduin is unexpectedly offered a fortune by the mysterious money-lender Scapinelli - but on a strange condition...
A cabaret dancer loves a German engineer and helps save his vital drawings of ship designs from falling into the hands of foreign plotters.
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Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.
DANGEROUS PATHS marked the beginning of Henrik Galeen’s collaboration with Piel, which by 1931 had comprised a total of five films. The present film offers the opportunity to see screenwriter Galeen in front of the camera as the super-rich American Francis. The journeyman carpenter Harry is bewitched by Francis’s daughter Dorothy, whom he has to rescue from the clutches of dangerous hoodlums. The gang is also trying to steal the crown of a prince. Thus Harry finds himself in a sophisticated adventure that features spectacular nature shots (filmed in the Alps).
A working-class couple living on a river barge sees their fragile stability shattered when a seductive outsider enters their closed world. Jealousy, desire, and social pressure slowly build, leading to betrayal and an inescapable tragic outcome as the city comes into view.
A married society woman strikes up a romance with a young musician. She introduces the man to high society. The society woman eventually decides to break off the relationship and the musician attempts to blackmail her.
