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Wendy Tilby

Directing

Biography

Wendy Tilby and Amanda Forbis are a Canadian animation duo. On January 24, 2012, they received their second Oscar nomination, for the National Film Board of Canada (NFB) animated short film, Wild Life (2011). With their latest film, The Flying Sailor, they received several nominations and awards, including for the Best Canadian Film at the Ottawa International Animation Festival, and on January 24, 2023, they received a nomination for the 95th Academy Awards under the category Best Animated Short Film. Both originally from Alberta, they first met in Vancouver at the Emily Carr College of Art and Design. In 2003, they relocated from Montreal to Calgary, where Forbis was raised. In addition to their NFB work, they have collaborated on commissioned projects. Interview, their advert for United Airlines, was nominated for an Emmy in 2004. In 2007, they founded the Bleak Midwinter Film Festival in their home neighborhood of Inglewood, Calgary. In 2018, they were recipients of ASIFA’s Winsor McCay Award for their ‘exceptional contribution to the art of animation’. Description above from the Wikipedia article Wendy Tilby and Amanda Forbis, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known For

Wild Life
5.8

This Oscar-nominated animated short tells the story of a dapper young remittance man who is sent from England to Alberta to attempt ranching in 1909.

Wild Life

2011
The Oscar Nominated Short Films 2012: Animation
4.2

ShortsHD is once again bringing the wildly popular Oscar nominated short film program (Live Action, Animation, and Documentary) to theaters in the US, Canada, and Europe beginning February 10th. The theatrical release of the Academy Award nominated short films has met with enthusiastic audiences ever since its launch 6 years ago, giving people around the world an opportunity to see the nominated films prior to the Academy Awards ceremony on February 26th.

The Oscar Nominated Short Films 2012: Animation

2012
Manufacturing Consent: Noam Chomsky and the Media
7.6

A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.

Manufacturing Consent: Noam Chomsky and the Media

1992
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9.0

Beginning with Noam Chomsky's response to a college student who role-plays "Jane U.S.A."--someone who naively believes she lives in a democratic society in which she can create her own destiny--the viewer is presented with a cross-section of typically lively Chomsky encounters. Central to a functioning democracy is the necessity of free access to information, ideas and opinions. But what should be our democratic right turns out to be limited and shaped by the biases of insitutions and ideologies within the mass media. Chomsky shows how governments, corporations and other elites manufacture the consent of the public to serve their interests.

A Propaganda Model of the Media Plus Exploring Alternative Media

1994
Strings
5.5

This film explores the distant relationship between an elderly amateur musician, the woman who lives in the apartment above him, and the leaky bathtub that is bothering them both.

Strings

1991
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10.0

No description available.

Holocaust Denial vs. Freedom of Speech

1994
The Flying Sailor
5.9

The Flying Sailor is based on the Halifax Explosion of 1917 when two ships collided in the Halifax Harbour causing the largest accidental explosion in history. Among the tragic stories of the disaster is the remarkable account of a sailor who, blown skyward from the deck of a British cargo steamer, flew over 2 km before landing completely unharmed, but naked except for his boots.

The Flying Sailor

2022
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7.0

In this video, Noam Chomsky concentrates on the contemporary institutions and powers which have set limits on human progress and offers us some concrete ways of challenging them; in effect, he presents a vision of a future society. Chomsky's work is directed at developing intellectual self-defense for "ordinary people" who are often isolated in their struggles. States are seen to be violent through such strategies as the near-genocide of aboriginal peoples. Ultimately, Chomsky feels we must move beyond the myths of modern industrial civilization and the privileged elites who dominate mass communication, and instead foster the interests of a truly global community.

Toward a Vision of a Future Society

1994
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9.0

No description available.

A Case Study: Cambodia and East Timor

1994
Animation Mixtape
N/A

A collection of extraordinary animated short films from around the world, curated by Don Hertzfeldt. Released exclusively to movie theaters to support independent animators, the program includes “Martyr’s Guidebook”, “Zoon”, “The Hill Farm”, “I Am Alone and My Head is On Fire”, “Wednesday with Goddard”, “Jesus 2”, “The Big Snit”, “Untitled Line Drawings” (never-before-seen work by Bruce Bickford), and more.

Animation Mixtape

2025
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7.0

This video focuses primarily on the implications of the structure and format of television, especially the consequences of concision, and how these factors can shape the messages of the medium. In addition, other issues, such as how democracies handle dissenters, and how the mainstream media have treated the challenges of Noam Chomsky's media critiques are explored. The media construct reality, and in the conclusion we see the author participating in that very process.

Concision: No Time for New Ideas

1994
When the Day Breaks
6.7

A rooster has his last biscuit for breakfast and goes grocery shopping. A pig prepares her breakfast (potato peelings, with the potatoes thrown in the trash) and discovers she needs more milk. Their paths cross, a lemon falls into the sewer, and both lives are changed.

When the Day Breaks

1999
The National Film Board of Canada's Animation Festival
7.0

Eight animated pieces by eight artists, from the studios of the National Film Board of Canada.

The National Film Board of Canada's Animation Festival

1992
Tables of Content
8.5

Wendy Tilby's Tables of Content was her graduation film from the Emily Carr College of Art and Design, Vancouver in 1986. The movie transports one into another era, an earlier age of gentility and reticence, set in a rather stuffy restaurant during the day.

Tables of Content

1986