Svetlana Yancheva

After 20 years abroad, Mark Renton returns to Scotland and reunites with his old friends Sick Boy, Spud and Begbie.

A viral video of an 8-year-old Bulgarian artist catches the eye of a major art collector, and Mihail is sent there, 30 years after leaving his home country, to assess the value of the girl's work and confront ghosts from his past.

Moth is freed on parole after spending time in prison on a wrongful conviction of murder. Jailed shortly before the Bulgarian communist coup of 1944, he now finds himself in a new and alien world— the totalitarian Sofia of the 60s. His first night of freedom draws the map of a diabolical city full of decaying neighborhoods, gloomy streets, and a bizarre parade of characters.

While hitchhiking from Sofia to Ruse, Kamen meets Avé, a 17-year-old runaway girl. With each ride they hitch, Avé invents new identities for them, and her compulsive lies get Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with the fleeting Avé.

Svetla, a widow who lost her job recently is living next to the Bulgarian-Turkish border. There are many cases of refugees in her village due to it's location. One day she meets a refugee from Africa and this changes her life.

8 minutes and 19 seconds – that’s all the time we have until the news about the death of the sun reaches us. That's what it takes for the light to travel from there to here. And then the darkness comes… But the theme of this Apocalypse is not necessarily going to be expressed through a global cataclysm, horsemen of the apocalypse, angels of death, fire and destruction. It will rather be shown as something very personal, intimate and almost silent.

Kamal, a young Iraqi man entering Europe on foot through the border between Turkey and Bulgaria, is captured by Bulgarian border police but escapes, finding himself to search for a way out in a seemingly interminable forest, an underworld where rules and laws don’t exist, where he is wounded and chased by Bulgarian migrant hunters. For three days and three nights Kamal must fight for his life through a journey of survival until a final life-or-death confrontation.

Manol — a retired general and a loving grandfather — is a patriarch of firm morals and fixed beliefs, which he has upheld in his household. But on this day, he learns that the boy he raised is gay. The life choices of his loved ones challenge his values in a battle he has lost by default.

Six young filmmakers from Central and East Europe developed shorts about the theme of 'generation'.

This is a film about the fate of a group of students and their wondering to find their true place in life. Of course each of them tries to find his own way.

This is a film about the fight against the terrible invincible enemy - the banality of life. Chekhovian provincial hopelessness will creep in, broken by sharp turns of Chaplin-esque humor. A bow to silent cinema and Chekhov.

A couple and their teenage son eke out a living on a hilltop, doing the laundry for local hotels, despite the intermittent water supply. Their simple life is overturned by the arrival of a father-and-daughter team of diviner and well-digger, who promise to bring an end to this precarious existence by finding a source on their arid hill. But ultimately, these newcomers quench a thirst far greater than than the simple need for water.

Three humorous but bitter stories turn into an existential drama in the life of the little people, who must take it all in with dignity and find some sense in the absurdity of it all. The acceptable way to present that is through the means of reality, severity, frankness, concise dialogue and documental simplicity.

This is a film about love, ten bottles of vodka and a town that must sink. Because when hope is gone, Miracle is the last resort.

It is a story about a group of friends who live in a small seaport town. Their lifestyle is rigorous, their joys are simple and their sex life is raw. Their concepts of man's dignity, friendship and duty are wrong and primitive. The film helps us to understand and forgive them.

A teenage girl's rebellion through drugs becomes a metaphor for the struggle between individuality and totalitarianism. Amidst the political upheaval of 1968, Sybilla (the "Countess") is sent to a girls' re-education camp when she is caught using drugs. After a failed affair and an abortion, Sybilla's drug use lands her in a mental clinic where she resists efforts to remold her personality. Based on a true story.

High in the mountains of Macedonia a team of young film makers are making a documentary about Katerina Vandeva - a descendant of an ancient and very famous family. Several former state and party functionaries interfere in the filmmaking in the hopes of manipulating Katerina's confessions for their own purposes. Nikola, the director, and his friends have to make the choice - whether to compromise with their consciences and their art, (as normally happens here in the Balkans), or whether to preserve Katerina's message.

A small town in present-day Bulgaria. A mother and her two daughters are struggling to survive. The dreamy and distracted younger daughter often invents stories in order to make life more interesting. Unwittingly, she eventually gets caught in the trap of her own lies and destroys her older sister's well-ordered materialistic world. Meanwhile, the two sisters find out the truth about their mother

Let us imagine isolation, fear, almost generic fear, and ancient, pervasive, self-generated. This fear becomes a system. The little man, forced, struggled to maintain his minimal right, the right to survive. But today, this crushed, squeezed, almost destroyed little man stands on the border, the one that separates— or unites—the old system and the new, the world of competition, where survival is precisely through profitability, profit. Then the little man becomes the hero, the model, the hero of this almost demonological thriller.

Magdalena is a small-town theatre actress, playing unrecognizable roles. She travels to a nearby village to take care of her father-in-law, who has suffered a stroke. Due to a swine fever outbreak, the village has been blocked. After a long thought, she decides to save the pig, even though, if caught, she will face a fine that she is unable to pay. On her journey to save the pig, Magdalena finds the empathy of people in unlikely places.