José Ramón Larraz

A pair of sexy bisexual nurses live in an apartment building, one floor up from a middle-aged couple and their son Albert, who is busy putting his new science project—a periscope—to good use by spying on the lingerie-wearing lovelies. Meanwhile, Albert’s mother is being even naughtier than her precious boy, sneaking off for some extra-marital action while her hair-obsessed husband is at the salon, having his follicles tended to. There are multiple versions of this movie - the original softcore version as well as a harder one with inserts of intimate close-ups performed by body-doubles.

Eurotika is a Channel 4 documentary film on European exploitation cinema. The documentary is similarly themed to Pete Tombs's book Immoral Tales: European Sex and Horror Movies 1956-1984. During the 1960s and 1970s, European low-budget films went kinky, emerging as a new type of cinema that blended eroticism, surrealism, horror, and over-the-top atmospherics.

A young woman travels with her partner to England on the unexpected death of her brother. Staying with her sister-in-law, she finds her companion soon drawn into a satanic cult based in the house whose rites seem to centre somewhat on large-scale sexual congress.

A duo of bisexual female vampires prey on passing motorists, whom they seduce and murder in the English countryside.

No description available.

Victor Matellano directs this tale set in a stately English manor inhabited by two older female vampires and with their only cohabitant being a man imprisoned in the basement. Their lives and lifestyle are upended when a trio of campers come upon their lair and seek to uncover their dark secrets, a decision that has sexual and blood-curdling consequences.

An axe murderer terrorizes a small Northern California mountain community, while two young computer-obsessed adults attempt to solve the killings.

A superstitious servant girl - who has foreboding nightmares about a naked man on horseback - comes to live with a solitary female artist at her country chateau. As the artist takes the girl under her wing, a sensuous relationship develops between them.

The death of Sebastian's father engenders in him pathological fears and hallucinations. His death wishes seem to cause horrible accidents, which he is unable to control. When his older brother dies, he feels that he has caused it. He undergoes hypnosis, but his apparent supernatural powers continue. As his own life nears its end, he becomes even more violent and sadistic.

Madame Olga is the owner of a luxurious brothel in London, England. One of the brothel's new clients, a young man, falls in love with her. He wishes to have more than sexual relationships with the woman.

This Spanish-Italian co-production tells the story of a man who feels deep guilt for the death of his wife: he, an alcoholic, is convinced that he accidentally caused her fatal fall in their house while he was drunk. He finds a new wife, but he is unable to cope with his first wife's death. Furthermore, the maid and his sister do not accept the new woman in the household. After a while, bodies begin turn up ... and the grave of the man's first wife is empty!

A young model, Valerie, and her petty thief boyfriend witness a murder in a backwoods manor. Valerie escapes, but soon finds herself being stalked by the killer.

No description available.

Spain 1640, the reverend superior nun Mariana, attends the death of her younger sister, Isabel's husband, who is overcome with hopelessness and heartache. Isabel then kisses and caresses the cadaver's exposed body as if he were still alive. Mother Mariana

A group of teenagers take refuge in an old, deserted mansion. Soon the members of the group start turning up dead, and the teenagers realize that they're not alone in the mansion.

Tulia, a young model, is invited to a photographer's country home for what purports to be a quiet weekend retreat - but soon appears to be anything but.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Despite being unhappy about it, a middle-aged man, allows his wife to carry on affairs in order to keep his marriage together.

A wealthy industrialist hires Julia Hemingway and her elite team of female mercenaries to sabotage a deal between his competitor and an oil sheik.

Arturo and Paco arrives at a castle where Paco is going to marry Sulfurina, who turns out to be a witch.