Narciso Busquets

A satirical film series in which Oliver Kalkofe and Peter Rütten present and comment on B-movies that are characterized by a particularly bad style or unintentionally funny ideas.

No description available.

Mexico is in the midst of Revolution when the protagonist returns after studying in Paris to find his native town in Chihuahua occupied by Francisco Villa’s revolutionary forces. He visits his deserted home and remembers people and events from his adolescence that provide glimpses of pre-Revolutionary society under dictatorship: his uncle, the chief of police; his sister’s involvement with a liberal political association; bathing with the girls from a local brothel; a labor strike that ended in a massacre. Returning to the present he discovers that his father has been assassinated and, in the company of his father’s former servant, joins the revolutionary movement.

Alberto Aguilera arrives from Ciudad Juárez to the capital to pursue a career in music, but in the midst of confusion he is accused of stealing and is sent to prison.

Cantinflas, the boyfriend of the servant of a rich industrial man, gets into the house in order to kill a mad dog. Suddenly this man appears so the servant tells him that Cantinflas is his wife's brother (Leonardo), who had been lost for years. The rich man then remembers that his father in law's testament could only be paid when all brothers get together, so treats Cantinflas, a real bum, as a king.

A British woman visits her husband at the Mexican mine he is attempting to reopen and discovers that the workers refuse to enter the mine, fearing an ancient curse. The couple enter the mine to prove there is no danger and inadvertently release a demon which possesses people's left hands and forces them to behave in a suitably diabolical manner.

Those involved in the making of an amateur porn video end up getting slashed to death with a cane sword. It's up to the brave policewoman Eugenia aka The Scorpion (Maribel Guardia) to stop him.

A terrible disease is found in a Mexican town. A doctor tries to alert the authorities when he discovers its epidemic nature. No one listen to him and soon after the disease spreads. The government tries to control the information in order to prevent panic.

The disaffected wife of a failed civil servant, is thrilled to re-encounter Octavio, a former lover who is now a union activist on the run from a corrupt politician. Hoping to help him, she descends into the Mexican underworld, where she finds a purpose-and a thrill-missing from her married life.

Anna is a psychologist undertaking research about famous suicidal women. She takes a specific interest in the case of Antonieta Rivas Mercado, who killed herself in 1931 in the Cathedral of Notre-Dame de Paris.

Based on a real event, twelve dead bodies are found in the Tula River, we see the events that lead up to the massacre in a tale of crime, vice, corruption and sleaze.

Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister town, inhabited by mysterious voices and whispers…

When his mother Dolores dies, Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister place, inhabited by mysterious voices and whispers…

After etching their love on a stalk, a boy and girl reunite years later, reigniting their romance amidst the Mexican Revolution.

A gang of thieves has jeopardized the city and even the police, whose chief urges their forces to captured the band within 48 hours. Meanwhile, band members meet in a cafe run by a widow and her daughter and her suitor, Cantinflas, who maintains a scuffle with the robbers running all at the station. Since then, Cantinflas become a member of the police force for special missions.

Based on the novel Tomochic by Heriberto Frías; tells the story of the rebellion of the inhabitants of the village of Tomochi, Chihuahua, against the government of Porfirio Diaz in 1891. Mexico's submission for the Academy Award for Best Foreign Language Film in 1976.

After serving his three-year sentence, Perro, who was only visited by Father Maromas, returns to his old environment. There, Chava recruits him back into drug trafficking.

Landowner counts on his super-champeen race-horse to help him win back the hacienda he was swindled out of.

A professional assassin (and widowed deadbeat dad set to soon remarry) decides to call it quits and go straight after one more job. Complications ensue, particularly with a persistent police detective.

After his family is murdered by bandits, a young man enlists a wandering cowboy to teach him to gunsling.