Directing
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Roberto, well into his forties, producer of the program "60 Minutes", prepares for an investigative report on a crime that took place in the fishermen's district. After getting some shocking images from the scene of the event, he visits the Bombay, where he intends to interview Kiki, the transvestite who performs that night. Although Kiki refuses to appear on television, Roberto records images of him without his consent. When he receives the news that Kiki has been murdered, Roberto, affected by the event, begins to elaborate a report on the subject. This time it is a question of getting to the bottom of the matter...
The personal and professional story, told in first person, of Spanish actress Carmen Maura, director Pedro Almodóvar's first muse and a brilliant artist in her own right.
Lola's a single mom, broke, working as a janitor and maid. Silvia is pregnant, and her lover (her boss) won't leave his wife. Maite, newly a widow, discovers she's penniless but wants to maintain appearances and give her daughter a fancy wedding, and Pecholata, a punk kid living in a youth center, will soon be turned out on the streets. Lola, who cleans a bank every morning, decides to rob it, convincing the others to join her: they'll use replica guns, dress as men, take Silvia hostage, and all will be smooth. But things go awry, including the fact that Lola's ex, Gustavo, is a cop. Desperation may be the mother of invention - and a corrupt bank manager its father.
In a swimming pool accident, Juan and Belinda somehow exchange bodies. Juan is coaching a football team for an important match and Belinda is getting married. They agree to co-operate and continue in their new bodies.
A group of friends finds a dilapidated place and decide to repair it, paint it and live in it in communal plan. The problem is the bank, owner of the premises, does not want them occupied so they threaten to call the police to evict them.
