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A man and his son arrive at a rave lost in the mountains of Morocco. They are looking for Marina, their daughter and sister, who disappeared months ago at another rave. Driven by fate, they decide to follow a group of ravers in search of one last party, in hopes Marina will be there.
On the arid island of Fuerteventura, Miguel and his daughter Mariana struggle to move forward after his wife’s death, a loss that has set them adrift. Traditional wrestling is all they know, their way of making a place in the world. But Miguel’s body is failing him, and Mariana’s anger is pushing her to break the rules. As the championship final approaches, father and daughter find themselves on uncertain ground, searching for a way back to each other before it’s too late.
Filmmaker Oliver Laxe leads his crew and a group of ravers deep into the desert to shoot his feature, Sirāt. Within the confines of his hotel room in Morocco, something unspoken lingers in his chest as Laxe opens up for a recorded conversation. As filming intensifies in the barren landscape, the film begins to inhabit those who take part.
Samsara is the Buddhist cycle of death and reincarnation. From the temples of Laos, we will accompany a soul in its transit from one body to another through the bardo.
Waiting for answers that don’t seem to come, Sica stares at the waves crashing against the coastal rocks. Her father, a fisherman, drowned in the sea. In an isolated corner of the world, Sica doesn’t lose hope. Even if she needs to go against the current.
When Amador Coro gets out of prison for having provoked a fire, nobody is waiting for him. He returns to his home town, a small village hidden in the mountains of rural Galicia, to live with his elder mother, Benedicta, and three cows. Life goes on calmly, following the rhythm of the nature. Until the night when a fire devastates the region.
Rafael, an old butler of a decadent farmhouse, lives with his landlord in that space. He develops a series of actions and daily routines that resume a life and a glorious family past. These actions and gestures will become the only way of sustaining that home and those lives humbled in memory. With the decline of that environment, Rafael will be underdog of his place and his own story, and will be forced to leave in an uncertain trip, towards the last of his possessions.
The inhabitants of a small village lost in the woodland between Galicia and Portugal play their own life mixed with dialogues from O bosque, a play by Galician writer Marinhas del Valle. Arraianos portrays a rural community in its obstinate resistance against disappearance.
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A group of passengers cross a river on a small ferry. Fog, laughter, whispers and faces inhabit a floating, suspended space. Time passes, the shore is now closer and people prepare for another part of their journey. Aqueronte summons the essence of cinema to transport us to unreal spaces where life is crystallised in a changing landscape of light and shadow. In this cinematic trip, Manuel Muñoz Rivas reaffirms the fabulating power of moving images.
A cowboy arrives in a town in search of his daughter, a native policewoman arrests various offenders in a snowy landscape, while her niece, a basketball coach, reunites with her grandfather for a decisive journey that will shape her future, and a bird flies through time and space and begins to enter the minds and dreams of a native tribe in the Amazon jungle.
For the sake of love, Vincent has followed Barbara to New York. But she wants nothing more to do with him. Obsessed with the idea of winning her back, he decides to see things through to the bitter end...
Who is Sycorax? The first character in Shakespeare's "Tempest" to set foot on the island. The problem is that she has no voice. She is barely mentioned by Prospero as a crooked, old, wicked witch who vilely locked Ariel, the spirit of the air, in a tree. But why would she do that? Here, we wouldn't believe Prospero so much.
Two graphic designers at work, by mistake, start playing with an empty scanner's possibilities. They venture into assumptions, eventually open up to each other, and let go of the strange images, until they let go of themselves.
Summer camp. Èlia and Nil kiss for the first time. They are the first campers, from all boys and girls, to ever kiss. Suddenly, the camp fills with an atmosphere of curiosity, discovery and enthusiasm.
Huelva, Spain, an isolated region lost in time. The grass, the sand and the sky are the same that those foreigners saw in the spring of 1895, when they crossed the sea from a distant country to mark the unspoiled terrain and extract its wealth, when the tower was new, when people could climb to the top of the highest dune and imagine that the city of Tartessos was still there, in the distance, almost invisible in the morning brume.
Paris, a pivotal day in the life of Bianca, Thalat and Peter.
Circe's daylife is quiet on top of a cliff. With a cave dug into the rock as a home and away from everything, she is known in the valley for her solitude mood, her pigs sheepherding and her witchcraft skills.
Pascal and Pauline are coming back to their parents’ estate. After years of travelling the world, they are no longer in a position to afford the property bills. They confront their childhood friends. Friends coming from less wealthy families and who never left their countryside.
