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Julian Barry

Julian Barry

Writing

Known For

Mission: Impossible
7.6

Mission: Impossible is an American television series that was created and initially produced by Bruce Geller. It chronicles the missions of a team of secret government agents known as the Impossible Missions Force. In the first season, the team is led by Dan Briggs, played by Steven Hill; Jim Phelps, played by Peter Graves, takes charge for the remaining seasons. A hallmark of the series shows Briggs or Phelps receiving his instructions on a recording that then self-destructs, followed by the theme music composed by Lalo Schifrin. The series aired on the CBS network from September 1966 to March 1973, then returned to television for two seasons on ABC, from 1988 to 1990, retaining only Graves in the cast. It later inspired a popular series of theatrical motion pictures starring Tom Cruise, beginning in 1996.

Mission: Impossible

1966
The River
6.4

Tom and Mae Garvey are a Tennessee farming couple battling violent floods to save their land. In addition to natural disasters, the Garveys fight to stop a selfish land developer and a local corporation from foreclosing on their farm. While Mae stays at home to care for their children and tend to the crops, Tom finds work as a scab at a steel mill to preserve his family's property.

The River

1984
Lenny
7.3

The story of acerbic 1960s comic Lenny Bruce, whose groundbreaking, no-holds-barred style and social commentary was often deemed by the establishment as too obscene for the public.

Lenny

1974
Pablo
6.9

Pablo blends documentary and animation elements to tell the saga of "famous unknown" Pablo Ferro, a man with a personal journey that spans from Havana, during the pre-Cuban revolution to his current home, in the garage behind his son's house.

Pablo

2012
Rhinoceros
5.6

A boozing young man in love with his co-worker finds that everyone around him, even his pompous and condescending best friend, is changing into a rhinoceros.

Rhinoceros

1974
Me, Myself and I
6.3

Diane is a growling, howling urban nightmare, suffering from paranoia, nymphomania, and a really bad hair day. Her neighbor, a TV writer, is subject to Diane's constant commentary on sex, violence and invisible persecutors through paper-thin walls. When Diane manages to seduce him, the two jaded New Yorkers discover that love works in mysterious ways.

Me, Myself and I

1992