Ricardo Miranda

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

A religious comedy in 5 segments, illustrating maniqueism on Earth, as shown by movies. God and his son Jesus disagree on how to manage human life on Earth.

Between August 23 and 31, 1983, at the "Circo Massimo", in Rome, there was a musical event that brought together artists from Bahia. This film brings a recording of the event, also featuring backstage, rehearsals, testimonies and some relaxing moments of these great names in Bahia's music.

An experimental film on Brazilian avant-garde artist Hélio Oiticica and his works, especially the Parangolés.

Iconic stars of the 80s and 90s team up in a nostalgic rollercoaster. Picture Lethal Weapon colliding with Rush Hour, with classic movie references and outrageous situations. One cop takes on LA’s craziest criminals with a DeLorean ride to justice.

During the Carnival, in Niterói, the son of a Lira do Delírio nightclub dancer is kidnapped. With the help of a journalist friend, she dives into Rio de Janeiro's underworld and meet all kind of criminals. She also goes back in time, to a past carnival, where she thinks she might pin-point the culprit among a group of people.

A mad scientist attempts to bring an ancient Egyptian mummy back to life.

At 84 years of age, Lúcia Rocha admitted herself to a hospital in São Paulo to undergo heart tests. Upon receiving the news about the risk to her life, Lúcia, laconic, tells the doctor: 'Then open it'. This is the second time she has undergone bypass surgery. From this gesture, the documentary Abry was born (with y, sign of the unconscious, according to the nomenclature invented by his son, Glauber Rocha). To relate her memories, she invites filmmaker Joel Pizzini, who offers his mini camera as an instrument to amplify Lúcia's imagination. Abry is a poetic dive into Lúcia Rocha's fabulous universe, reconstructing her trajectory in Brazilian cinema through sounds, images and characters with whom she lived closely.

A marginal version of Brecht’s piece, “Baal”.

A lesson in conciseness, expressiveness, and humor on the inexhaustible theme of the dream of making movies. A parodic lesson, a Brazilian version of historical scenes filmed by the Lumiére brothers in 1895—the baby, the bath in the garden, the workers leaving, and the arrival of the train. The melodrama of a couple of lovers through time and the history of cinema. Many sequence shots, as preferred and taught by Cinema Novo. Everything about a film being made and being watched. The language of cinema (shot, reverse shot, tracking shot, editing, mixing, dubbing, etc.), interspersed with quotes from Humberto Mauro, Godard, Glauber Rocha, and Rossellini.

Life and death of the jesuit who fought for the peaceful relationship between colonists and the indigenous peoples of Brazil.

On Carnival's eve, girl dreams of a man to stay with her during these four days. She meets a photographer, with whom she has an affair.

São Paulo, late 30's. Alberto is an intellectual and professor who announces to his friend and pupil Polidoro he won a scholarship to study in Paris. In Paris Polidoro receives a letter in which Alberto announces that he married Helena. Polidoro returns to Brazil in 1945, when there was a strong political agitation against the New State. Alberto invites Polidoro to spend a few days at his home in Campos do Jordão. After reaching the site he is told by Helena that Alberto was forced to travel urgently. She insists he should stay there until the return of her husband and, while waiting, she seduces him. Then, after several days of intense passion, she orders Polidoro to go away and never see her again.

A behind-the-scenes look at the making of Glauber Rocha's 1980 production "A Idade da Terra" (The Age of Earth), including unedited clips taken from the sixty hours of recovered raw footage.

No description available.

The film focuses on a contemporary documentary production company that is attempting to create a non-fiction feature about Papa Montero, a 1930's rumbero who was murdered during Havana's carnival celebrations. The film uses flashback sequences to recreate Papa Montero's celebrated dance and his disastrous involvement in a fatal love triangle. The film features rumba-inspired dance sequences performed in the streets of Havana by El Conjunto Folklorico Nacional de Cuba.

A bank manager has a secret. He is compelled to bite society women hands.

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

Documentary with fragments and records about the boundaries between art and counterculture, based on a debate held at the Museum of Modern Art, Rio de Janeiro, in October 1968.

Through performatic acts and some exposition, a group of poets of that 1980's generation make great use of words, poems and rebellious acts criticizing the then current generation and its lack of admiration for the poetic works that were being created.