Paul Kelly

A collection of films from an eclectic array of contributors commissioned to raise funds for the Bristol independent cinema The Cube.

Shot during the summer of 2005, this enigmatic film was the second collaboration between Saint Etienne and director Paul Kelly. It follows a young paperboy's adventure across London's last remaining wilderness in the Lea Valley on the eve of the Olympic development. A poetic ode to a metropolitan hinterland that has been forever changed by the impact of the 2012 Olympics games.

Documentarian Paul Kelly returns to the festival with his latest collaboration with the band Saint Etienne, following the loose trilogy of London films Finisterre, What Have You Done Today, Mervyn Day and This Is Tomorrow, all recently published on BFI DVD. In the decade since Finisterre Kelly has built a reputation as a distinctive voice in British cinema, developing a lyrical style that draws on the psychogeography and people of the city and its culture. How We Used To Live is effectively a prequel to Finisterre, a meditation on London life today and a glance back at a receding Britain. Using colour footage from the 1950s to the 1980s, taken from the BFI National Archive, the film covers the ‘New Elizabethan’ age from the optimism of the post-war era to the dawn of Thatcherism. Soundtracked by Saint Etienne’s Pete Wiggs and scripted by the band’s Bob Stanley with Travis Elborough, the film is for anyone who has ever tried to understand their city. (Source: LFF programme)

A dedicated Hendon Fotball Club fan dresses up as the club mascot for fun. He narrates the history of the club, while the visuals present the current state of the football club, the players and fans.

London has always been a source of influence, inspiration and curiosity - Finisterre tries to identify the dreams that London holds for so many. Presented and scored by Saint Etienne, the film enraptures with a journey through the ultimate city of possibilities - from John Nash and Berthold Lubetkin to Hendon FC and Hampstead Heath via the New Piccadilly cafe. A genuinely moving meditation on the capital in all its tawdry glory, with extra features and deluxe booklet

London Conversations: The Best of Saint Etienne is a video compilation album by the English electronic music group Saint Etienne

A document of Dexy's residency at the Duke of York Theatre in London in April, 2013.

As lead singer of 1980s British indie band Felt, Lawrence acquired a cult following. In the '90s he went on to form Denim and later Go Kart Mozart. Paul Kelly's intimate documentary film follows Lawrence between Go Kart Mozart albums. He appears as, perhaps, he always has: a man out of time and a confused, confusing genius.

Full Dexys performance at Duke of York’s Theatre, London, April 2013

This is Tomorrow is the third film of 'A London Trilogy, the films of Saint Etienne'. A History and reconstruction of the Royal Festival Hall, interviewing surviving architects and designers including Leonard Manasseh and Robin Day. The film also documented the hall's complete refurbishment from 2005-2007, which has once again made it London's cultural centre.

A girl group playing beautifully written pop at the end of the seventies, Dolly Mixture were almost ignored when the Slits' more angular approach was in vogue, yet became an inspiration to the Riot Grrl scene of the nineties.

Three short films about London disappearing cafés