Hiroshi Teshigahara

A vacationing entomologist suffers extreme physical and psychological trauma after being taken captive by the residents of a poor seaside village and made to live with a woman whose life task is shoveling sand for them.

Blind masseur Zatôichi travels from town to town gambling, drinking, and fighting off the local gangs.

A businessman with a disfigured face obtains a lifelike mask from his new doctor, but the mask starts altering his personality and causing him to question his identity.

A man wanders into a seemingly deserted town with his young son in search of work. But after a bit of bad luck, he joins the town's population of lost souls.

Furuta Oribe is ordered to become tea master under Toyotomi Hideyoshi after his teacher Sen no Rikyū, the former tea master, was ordered to commit suicide. Princess Goh, daughter of the lord but adopted by Hideyoshi, is outraged when Rikyū's severed head is thrown in the Nijo River. She sends Usu, Oribe's servant, to retrieve the head and deliver it to Rikyū's adopted daughter.

Late in the 1500s, an aging tea master teaches the way of tea to a headstrong Shogun. Through force of will and courageous fighting, Hideyoshi becomes Japan’s most powerful warlord, unifying the country.

A private detective is hired to find a missing man by his wife. While his search is unsuccessful, the detective's own life begins to resemble the man for whom he is searching.

During the Vietnam War, an American G.I. deserts his base in Japan and escapes to Tokyo with the help of his Japanese bar hostess girlfriend. In the capital he gets involved with an anti-war organization while dodging the military police.

Catalan architect Antonio Gaudí (1852-1926) designed some of the world's most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films ever made. With camera work as bold and sensual as the curves of his subject's organic structures, Teshigahara immortalizes Gaudí on film.

A film in four episodes presenting teenage girls chosen as representative of their country and our time, in Italy, France, Japan and Canada. In spite of the stylistic peculiarities of the filmmakers, we find in each of them the same desire not to affirm anything, not to judge, but to quite simply show.

A documentary about the eponymous Puerto Rican boxer

The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director's father Sofu Teshigahara worked as the grand master of the school.

In April 1985 Kusama staged a performance in the cherry tree grove at Kuhonbutsu Jōshin-ji, a Buddhist temple in Tokyo. Commissioned by a professor at Tokyo University, the performance was titled Basara no Hana (Flowers of Extravagance) in reference to the extravagance of the fourteenth-century lord Dōyo Sasaki. He was said to have held a lavish celebration of cherry blossoms near Kyoto that lasted twenty days. For the performance, Kusama encircled the flowering trees with red and white streamers, connecting them in a ‘net’.

A collaborative, newsreel-style portrait of Tokyo in 1957–58, blending photography, animation, and historical imagery to capture the city’s labor, rituals, and nightlife at the moment it became the world’s largest metropolis.

One of the first documentaries to focus on the aftermath of Hiroshima and Nagasaki, the film gives voice to survivors of the atomic bombings and documents the long-term effects of radiation on their lives. Combining testimony with stark images of destruction and recovery, it serves as an early cinematic appeal against nuclear war.

Follow-up to 'The People of Sunagawa'

The inhabitants of Cape Muroto in Kochi Prefecture depend on fishing for their living, but have no fishing port in their village and so use the port of Uraga in Kanagawa Prefecture as their main port. 22 crew members in a wooden boat of less than 100t fish for tuna in rough seas, 4,500 miles away from home near Christmas Island in the Pacific Ocean, where hydrogen bomb experiments are being carried out. The film focuses on an 18-year-old trainee and his labors aboard the fishing boat for two months, precisely reflecting the fisherman’s daily life.

A documentary about the life and art of wood-block artist Katsushika Hokusai.

At a time when the USSR and the USA fervently vied to develop nuclear arms, the mass media buzzed with terms inspired by nuclear testing on Bikini Atoll such as the “Daigo Fukuryu Maru Incident,” the “ash of death,” “radioactive tuna,” and “radioactive rain,” and nuclear testing continued, Japan, the only nation to have suffered an atom-bomb attack, felt massive anxiety. “What is the radioactive ash of death?” “What effect does it have on living creatures?” Against the background of the era, the film scientifically describes the terrors of radioactivity with the cooperation of many scientists, physicians and research institutions.

Exquisite exploration of landscape and Toru Takemitsu's music for a Japanese moss garden.