Rodrigo Bazaes

After Chilean writer María Carolina Geel murders her lover, the case captivates shy legal secretary Mercedes, sparking a connection between the two women.

From a young age, Isabel was willing to break all the socially accepted standards of her time to pursue happiness and blaze her own path. Then, at the peak of her career, she receives the devastating news that her daughter is on the verge of dying. The pain may have bent her, but it never broke her.

Santiago, capital of Chile during the Marxist government of elected, highly controversial president Salvador Allende. Father McEnroe supports his leftist views by introducing a program at the prestigious "collegio" (Catholic prep school) St. Patrick to allow free admission of some proletarian kids. One of them is Pedro Machuca, slum-raised son of the cleaning lady in Gonzalo Infante's liberal-bourgeois home. Yet the new classmates become buddies, paradoxically protesting together as Gonzalo gets adopted by Pedro's slum family and gang. But the adults spoil that too, not in the least when general Pinochet's coup ousts Allende, and supporters such as McEnroe.

Three friends are part of a fascist opposition group in the chaotic Chile of the early 70's and together commit a political crime that changes the history of the country and incidentally involves them in a betrayal that separates them forever.

Could a brilliant composer's music actually be killing his loved ones? Eliseo can't help but believe it when his younger sister dies tragically and then his pianist Georgina suddenly dies on the piano. Completely traumatized, Eliseo is taken to a mental hospital where he can find escape only through music.

18-year-old Jesús lives with his stern, somewhat unaffectionate father in Santiago, Chile. When not doing drugs, having casual sex or simply slouching in front of the TV, Jesús and his friends perform in a K-pop boyband. But his routine is thrown into chaos one evening when he and his drunken posse viciously assault a young gay man and leave him for dead. It’s an act that propels Jesús into a profound moral crisis which have severe consequences.

In Santiago, Chile, the schoolteacher Luisa proposes a debate about sex with the parents of her students with the intention of giving classes about sex education to the youngsters.

Ema, a 60-year-old doctor, can see and hear the dead. She calls them “presences” and has lived her entire life avoiding letting this gift connect her with the suffering of others. But when her niece Julie — a disturbed young woman who can also communicate with the dead, but in a much more intense and sexual manner — arrives at her house, Ema is forced to get involved. What begins as a family reunion turns into a disturbing chain of events that alters the balance between the world of the living and the dead, infecting an entire neighborhood with voices from beyond. As the borders between life, death, and desire blur, Ema will have to confront her past, her daughter, and the ghosts she never let go.

In the city of Santiago, four characters struggle to reach their goals: a psychologist who wants to help other women and save their lives, a hairdresser who wants to buy a car, a musician who wants to play in a philharmonic orchestra, and a young woman who simply survives in the city, but each of them obtains something unexpected and different from what they wanted.

The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.

Alejandro and Aurora, two young students, leave Santiago and are on their way to spend Christmas with family in Aurora. At the foot of the Andes, the frustrations of Alejandro and Aurora’s doubts about her sexual identity cause tension. The two teens are on the verge of collapse when they discover the presence of a young girl, Alicia, a fragile girl of sixteen years who has fled her home. Gathered around an improvised Christmas tree, Alejandro and Aurora are fascinated by the enigmatic Alicia, who is becoming the object of their desire.

Anselmo is a fair man forced to live in an unfair world. His innocence will lead him to get involved in dangerous situations that will make him wonder if he does need a bit of evil to achieve happiness.

A group of university students decide to act against a powerful and corrupt businessman.

A portrait of famed Chilean singer and folklorist Violeta Parra filled with her musical work, her memories, her loves and her hopes.