
Adam Alleca
Writing
Biography
Adam Alleca (born February 16, 1983) is an American filmmaker. He is best known for writing the films The Last House on the Left (2009), Standoff (2016), Cell (2016) and Delirium (2018).
Known For

When athletic teen Mari Collingwood opts to hang out with her friend Paige in town rather than spend an evening in with her parents vacationing at the family's remote lake house, it marks the beginning of a night no one is going to forget.
The Last House on the Left

The living dead have taken over the world, and the remaining humans live in a walled city to protect themselves as they cope with the situation.
Land of the Dead

When a strange signal pulsates through all cell phone networks worldwide, it starts a murderous epidemic of epic proportions when users become bloodthirsty creatures, and a group of people in New England are among the survivors to deal with the ensuing chaos after.
Cell

A troubled veteran gets a chance at redemption by protecting a girl from an assassin after she witnesses a murder. Holding a shotgun with a single shell, he engages in physical and psychological warfare in a desperate fight for the girl's life.
Standoff

A man recently released from a mental institute inherits a mansion after his parents die. After a series of disturbing events, he comes to believe it is haunted.
Delirium
Following a traumatic life-changing event, a young woman moves into a rundown apartment complex in search of a fresh start. When she’s terrorized by bizarre occurrences — unhinged neighbors, uncanny stalkers, unprovoked violence — she comes to believe she’s being targeted by a possessive force that breaks her understanding of reality, a force that can only be overcome by confronting the darkest parts of her own nature.
Inhabit

Short film collection bringing together the winners of the Blood Drive film contest hosted by Fangoria.
Fangoria: Blood Drive II

A troubled young man who decides to kill the best-selling author he is convinced stole his life story, only the author may not actually exist.

When two horror-crazed effects artists are blacklisted for using REAL effects, they shoot and star in their own film. Bloodied and beaten, they find the one executive willing to distribute the movie. But there's one condition... They must find a climax that KILLS.