Patricia Cutts

The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

A continuation of the anthology series “Alfred Hitchcock Presents”, hosted by the master of suspense and featuring thrillers and mysteries.

The Lucy Show is an American sitcom that aired on CBS from 1962–68. It was Lucille Ball's follow-up to I Love Lucy. A significant change in cast and premise for the 1965–66 season divides the program into two distinct eras; aside from Ball, only Gale Gordon, who joined the program for its second season, remained. For the first three seasons, Vivian Vance was the co-star. The earliest scripts were entitled The Lucille Ball Show, but when this title was declined, producers thought of calling the show This Is Lucy or The New Adventures of Lucy, before deciding on the title The Lucy Show. Ball won consecutive Emmy Awards as Outstanding Lead Actress in a Comedy Series for the series' final two seasons, 1966–67 and 1967–68.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Climax! is an American anthology series that aired on CBS from 1954 to 1958. The series was hosted by William Lundigan and later co-hosted by Mary Costa. It was one of the few CBS programs of that era to be broadcast in color. Many of the episodes were performed and broadcast live.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

A television anthology series hosted by Alfred Hitchcock featuring dramas, thrillers, and mysteries.

Adventures in Paradise is an American television series created by James Michener which ran on ABC from 1959 until 1962, starring Gardner McKay as Adam Troy, the captain of the schooner Tiki III, which sailed the South Pacific looking for passengers and adventure. USA Network aired reruns of this series between 1984 and 1988. The plots deal with the romantic and detective stories of Korean War veteran Troy. The supporting cast, varying from season to season, features George Tobias, Guy Stockwell, and Linda Lawson.

The Aquanauts is an American adventure/drama series that aired on CBS in the 1960-1961 season. The series stars Keith Larsen, Jeremy Slate and Ron Ely.

Advertising man Roger Thornhill is mistaken for a spy, triggering a deadly cross-country chase.

Public Eye is a British television drama broadcast from 1965 to 1975 on ITV1. Produced by ABC Television for three series, and Thames Television for a further four, the programme follows the investigations and cases handled by the unglamourous enquiry agent Frank Marker.

Yancy Derringer is an American Western series

Anthology series of plays about the tensions caused by doubt and mistrust.

When eccentric English teacher Andrew Larabee needs a raise in order for his fiancée to marry him, his interest in archaeology leads him to an ancient statue's burial site. But when he finds a traveling circus directly above the statue's location, he accidentally becomes part of the act. With a newfound passion for performance and an attraction to the beautiful acrobat Selena, Andrew must decide what is truly important to him.

A pathologist experiments with a deaf-mute woman who is unable to scream to prove that humans die of fright due to an organism he names The Tingler that lives within each person on the spinal cord and is suppressed only when people scream when scared.

After marrying an American lieutenant with whom he was assigned to work in post-war Germany, a French captain attempts to find a way to accompany her back to the States under the terms of the War Bride Act.

Receptionist Anne’s new relationship with nascent writer Peter is opening her eyes to a new lifestyle, one far removed from her comfortable middle-class background.

Spyder's Web was a British crime drama television series aired in 1972. It starred Anthony Ainley as Clive Hawksworth and Patricia Cutts as Charlotte "Lottie" Dean as two secret agents working for the mysterious Spyder organisation in the interests of the British government.

A blind Englishwoman weds a French nobleman and moves into his family's chateau, but she quickly realizes someone there wants her out of the way.

The Twiggs are a typical working-class family: Sam (Jack Warner) and Mary (Marjorie Rhodes) are trying to bring their family up in the shadow of the Blitz whilst taking everything in good humour. Their neighbours Joe (Charles Victor) and Emma (Gladys Henson) are constantly in the Twiggs house, borrowing a cup of sugar or using their Anderson shelter and between them the two working class families put the world to rights. But when their daughter falls for an upper class RAF pilot the Twiggs are asked by his mother, Lady Diana Stephens to tell their daughter to call the romance off, as the social gap between the families is too large. Incensed by Lady Diana s offer of money, Sam Twigg throws her out of the house. But events take a sudden turn as the war enters the Twiggs own living room. Will the two families manage to overcome their disdain for each other and let true love find its way?