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Nanette Burstein

Nanette Burstein

Directing

Biography

From Wikipedia, the free encyclopedia. Nanette Burstein is an American film and television director. Burstein has produced, directed, and co-directed many documentaries which have won her many awards and nominations, including an Academy Award nomination for Best Documentary and the Sundance Special Jury Prize for Documentary. Description above from the Wikipedia article Nanette Burstein, licensed under CC-BY-SA, full list of contributors on Wikipedia.​

Known For

The Price of Gold
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The world couldn't keep its eyes off two athletes at the 1994 Winter Games in Lillehammer - Nancy Kerrigan, the elegant brunette from the Northeast, and Tonya Harding, the feisty blonde engulfed in scandal. Just weeks before the Olympics on Jan. 6, 1994 at the U.S. Figure Skating Championships, Kerrigan was stunningly clubbed on the right knee by an unknown assailant and left wailing, "Why, why, why?" As the bizarre "why" mystery unraveled, it was revealed that Harding's ex-husband, Jeff Gillooly, had plotted the attack with his misfit friends to literally eliminate Kerrigan from the competition. Now two decades later, THE PRICE OF GOLD takes a fresh look through Harding's turbulent career and life at the spectacle that elevated the popularity of professional figure skating and has Harding still facing questions over what she knew and when she knew it.

The Price of Gold

2014Movie
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This IFC Original Series created by Oscar nominee Nanette Burstein (The Kid Stays In The Picture, On The Ropes) follows three NYU film students as they try to direct an award-winning film and launch their careers. Former Peace Corps volunteer Alrick prepares a politically charged allegory, sculptor Leah readies her emotionally raw autobiographical project, and Vincenzo applies his experience as an opera director in the making of his urban fable. Over the course of ten weeks, these students assemble crews, deal with difficult locations, clash with the police, face funding crunches, and encounter personal adversity. As the deadline for NYU's First Run Festival approaches, will their films be completed in time? Can their films bring them acclaim and lead to future work?

Film School

Series