Robert Wynne-Simmons
Writing
Known For

After a landsman in 18th century England discovers a corpse covered in fur buried in a field, the town becomes infected by "the devil's skin," leading the local children to engage in demonic rituals and criminal behavior.
The Blood on Satan's Claw

An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.
Woodlands Dark and Days Bewitched: A History of Folk Horror

Short film from The Outcasts director Robert Wynne-Simmons featuring Sammy Davis Jr. in a cameo role.
Bomb Disposal

In pre-famine Ireland, when poverty and magic were rife, introverted farm girl Maura discovers a magical world of the imagination through the mysterious wanderer Scarf Michael. When her isolated rural community accuses her of witchcraft, she turns to her own supernatural powers for protection.
The Outcasts

This madcap comic short features (incredibly) Charlton Heston, Michael Redgrave and a young Peter O'Toole.
The Greatest All-Star Advertial of All Time

Visual commentary on the way in which the prophetic poems of William Blake are reflected in modern London and the political upheavals of 1968.
The Judgement of Albion
Shows the Common Stock Theatre Company working on a project involving old people living in the London Borough of Hammersmith. By direct contact with elderly people, and in conjunction with a writer, the members of the company attempt to create a dramatised impression of the life of the elderly.
Love Is Like a Violin

Robert Wynne-Simmons' most ambitious early film has surreal overtones of 1960s series such as "The Prisoner" and "The Avengers".
The Scrolls

Among the Brighton gangs, the Mods and Rockers, a teenager is victimised by a member of his own group, who then steals his girlfriend. He can take no more, and knives his rival in a fight. But his troubles are just beginning. His girlfriend is not coming back. The police are after him, as are the other members of the gang. Everywhere he is a fugitive. He suffers a breakdown, and fantasises that the doctors in the hospital are killing his injured rival, and that he will be blamed. He steals a bottle of serum that a doctor had used for an injection, hoping to convince his former friends that he is innocent, but it is just an empty bottle which will convince no-one. He finds himself cornered in a dark lane where there is no way out.
The Fugitive

British horror short from 1962.