Gottfrid Svartholm
Acting
Biography
Per Gottfrid Svartholm Warg, alias anakata, is a Swedish computer specialist, known as the former co-owner of the web hosting company PRQ and co-founder of the BitTorrent site The Pirate Bay together with Fredrik Neij and Peter Sunde. Parts of an interview with Svartholm commenting on the May 2006 police raid of The Pirate Bay are featured in Good Copy Bad Copy and Steal This Film. He is a main focus of the documentary TPB AFK. In May 2013, WikiLeaks said Svartholm Warg had worked with the organization for the 2010 release of Collateral Murder, the helicopter cockpit gunsight video of a July 2007 airstrike by U.S. forces in Baghdad. According to WikiLeaks, Svartholm served as technical consultant and managed infrastructure critical to the organization. He was also listed as part of the “decryption and transmission team” and credited for “networking.”[5] Svartholm was one of several Pirate Bay associates who did work for other Wikileaks endeavors. One of Svartholm's companies had previously hosted WikiLeaks' computers.
Known For
TPB AFK is a documentary about three computer addicts who redefined the world of media distribution with their hobby homepage The Pirate Bay. How did Tiamo, a beer crazy hardware fanatic, Brokep a tree hugging eco activist and Anakata – a paranoid hacker libertarian – get the White House to threaten the Swedish government with trade sanctions? TPB AFK explores what Hollywood’s most hated pirates go through on a personal level.
TPB AFK: The Pirate Bay - Away from Keyboard
Steal This Film focuses on Pirate Bay founders Gottfrid Svartholm, Fredrik Neij and Peter Sunde, prominent members of the Swedish filesharing community. The makers claimed that 'Old Media' documentary crews couldn't understand the internet culture that filesharers took part in, and that they saw peer-to-peer organization as a threat to their livelihoods. Because of that, they were determined to accurately represent the filesharing community from within. Notably, Steal This Film was released and distributed, free of charge, through the same filesharing networks that the film documents.
Steal This Film
These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?