Acting
Antonia San Juan Fernández (born 22 May 1961) is a Spanish actress, director and screenwriter.
David Broncano, along with Jorge Ponce, Ricardo Castella and his other collaborators, lead La Revuelta, a comedy show that includes multiple sections and interviews from the Teatro Príncipe Gran Vía in Madrid.
La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.
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After a mysterious leader imposes his law in a brutal system of vertical cells, a new arrival battles against a dubious food distribution method.
A slab of food descends down a vertical facility. The residents above eat heartily, leaving those below starving and desperate. A rebellion is imminent.
Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.
In El Hierro, the most remote island of the Canary Archipelago, a murder has occurred. Candela, an experienced judge with a strong character, must instruct the case as she takes up her position in a destination where she doesn't fit in. The island, an abrupt and changing landscape, is the home of a small community with singular traditions, where nobody enters or leaves unnoticed and where secrets are hard to keep. The murderer is surely one of the islanders. Everybody believes it is Diaz, a shady local businessman, who seems to fit the bill. But nothing is that easy, neither with Candela, nor with Diaz. They are both out to find the murderer. She is out to do her job to the best of her ability; he is out to prove his innocence.
Several characters from different social backgrounds cross paths in the course of one day: a 50 year old woman who refuses to grow up, a millionaire who provides in-home counseling on Feng Shui while searching for her son, a pop star, a struggling actor, and a selfish theater director.
Álvaro has long felt that his life has lost all meaning. Just as chaos threatens to overwhelm him, a mysterious young woman appears, offering what might be his last hope.
In 1960s Spain, legendary trapecist Pinito del Oro hires young poet Natalia Sosa Ayala to help with her memoirs, sparking a profound emotional bond between them. Through historical events, intimate encounters, and decades of letters, their admiration, affection, and creative passion intertwine. The story moves between memory, desire, and imagination, showing how these two artists influence each other’s quests for freedom, artistic expression, and recognition. Rooted in real moments but told with a dreamlike, imaginative lens, it explores what might have been between them, revealing a tender, evocative tale of connection, longing, and the courage to defy societal constraints.
After the death of don Lucio, his widow Eloísa asks one of her neighbours to use the latter's house in order to hold the dead man's wake, since Eloísa's own house is too small for that. From then on, a series of strange happenings take place during a single day.
On Friday, November 13th, 1992, three 14 years old girls mysteriously disappear when they head to a disco in a nearby town. 75 days later, their dead bodies were found in an advanced stage of decomposition, half buried in the undergrowth.
Two junkies walk down the street one night when they decide to be mutually honest with each other.
Rodrigo returns to his childhood home of Salamanca after a four-decade absence and a career as a guerrilla in Latin America, a secret agent in the Eastern Bloc and an official for an international agency. While Rodrigo may have attempted to put his past life behind him, the memory of his now deceased mother and his old-world family returns to haunt him. In an old city dominated by the weight of tradition, Rodrigo discovers a daughter about whose existence he had never known, as well as a grand-daughter, the enigmatic and beautiful Octavia. A rebellious teenager, Octavia dismisses her grandfather's old politics, possessing her own sense of what freedom means. Patino's film is a poetic, assured contemplation on the pain of returning somewhere you never really left and the accompanying ironies of a man obsessed with history who cannot face his own.
In the early 2000s — a period of rapid disruption in viewing habits and the community spaces built around cinema culture — Mila fights to keep alive the neighborhood video store she has just inherited from her father, even as a nearby Blockbuster threatens to wipe it out. When the shop becomes a refuge for a small community of outsiders, Mila is pushed to confront loss, change and her own fear of letting go.
A family is on holiday in 1991 when their teenage daughter decides to elope with her boyfriend. Their parents travel forward in time to 2022 and see how much Spain has changed in three decades.
