Václav Marhoul

No description available.

A CIA agent gets caught up in political intrigue after he gets brought in to solve the murder of a Cuban ambassador.

No description available.

After losing his parents, a young Jewish boy wanders Eastern Europe, seeking refuge during World War II.

No description available.

Conversations with filmmakers, actors and screenwriters.

No description available.

The film is based on a legendary school film of Tomáš Vorel, called INg (1985). The storyline stays the same - a young engineer finds a new job and wants to work, this proves to be impossible in the last days of the communist era.

A behind-the-scenes look at the eleven-year process it took to make The Painted Bird. The narratives of director Václav Marhoul and actor Petr Kotlár weave their way through the various stages of the film's creation, offering their subjective views from the beginning to the last flap of a year-and-a-half long shoot.

30 years of freedom = 30 authors = 30 minutes of films. A unique project of Reflex magazine and Czech Television, which in honor of the 30th anniversary of the Velvet Revolution reflects many forms and understanding of freedom. Various personalities of the Czech cultural sphere have made their minute films.

No description available.

Vladimír Michálek chose an unconventional adaptation of Franz Kafka's novel for his feature debut. Artistically reminiscent of the classic films of Karel Zeman, the director reinterpreted this dark story of a man vainly seeking a place in a rigidly ordered society by changing the desperate conclusion into a happy end. The film provided Czech comedian Jirí Lábus with a new kind of role: that of the despotic uncle of a main hero Karel Rossman (Martin Dejdar).

This impressionistic film captures the uniqueness of life and creativity. An experimental feature comprising 40 distinct acting roles, each captured on its own 16 mm film roll, offering a kaleidoscopic mosaic of human traits that fluidly crosses comedy, drama, and documentary styles. Rather than following a conventional narrative, it presents standalone character portraits that collectively inspire creative artists to define and communicate their vision clearly.

The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

A personal look at the influential former politician who rose to fame as a driving force behind anti-communist and anti-homosexual U.S. political sentiment during the Cold War.

It is the story of Jiri and Jan, two Czech soldiers, battling alongside the allied forces against the Germans, during World War II in Tobruk, Libya. Jiri Pospichal, eighteen years old, signs up as a volunteer in the Czechoslovak army. His naive ideas about heroism are rawly confronted with the hell of the African desert, complicated relationships in his unit and the ubiquitous threat of death.

Inspired by the stories of the American writer Raymond Chandler, the classical hero is private detective Phil Marlowe, a romantic cowboy, who takes the law into his own hands in the rough prairie of a large city.

No description available.

Director Tomáš Vorel created his experimental feature debut with members of renowned Prague non-traditional auteur theaters. The ensembles presented their own poetics and style through five "short stories" connected by satirical commentary by the "expert" Dr. Milan Šteindler, CSc.

On the night it happened, Aleš Berka was celebrating his 50th birthday. A successful, mature man at the peak of his powers. Congratulations, gifts, a happy mistress, a healthy son. The fact that one of the guests had an accident at an intersection on his way home from the party was just a minor blemish on an otherwise perfect evening. The local underworld boss, Radek Máša, immediately called Aleš and asked him to cover up the accident, as always. The district police chief, Aleš Berka, promised to do so, as always. But in the morning, he learned that Marta, the girl who was driving the car, was lying in agony in the hospital and that she was the love of his son Ríša. Ríša believes unconditionally that his father, the district police chief, will do everything in his power to find and punish the culprit of the traffic accident who fled the scene...