Yekaterina Golubeva

A writer leaves his upper-class life and journeys with a woman claiming to be his sister, and her two friends.

We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.

A stylish arrangement in a modern way of a number of classic love stories – "Carmen", "Orpheus and Eurydice", "Don Quixote", "Cyrano de Bergerac", "Hamlet". Each episode is a complete story with its own characters, they are united only by the place of action – the city of Rostov–on-Don. It is always summer here, women are beautiful and men are courageous, there is a high sky and a blue river, everyone is happy here or could be happy…

Pierre ou, Les ambiguïtés (Pierre or, The Ambiguities) is a 2001 three-part French miniseries created and written by Leos Carax, an alternate, extended version of his 1999 film Pola X ('Pola' is the acronym of 'Pierre ou les ambiguïtés'.). Both entities are based on Herman Melville's 1852 Gothic novel of the same name. A writer leaves his upper-class life and journeys with a woman claiming to be his sister, and her two friends.

A photographer and an unemployed woman embark on a chaotic trip to the California desert for a photo shoot, filled with passionate encounters and frequent fights. Their seemingly empty relationship takes a dark turn when a brutal incident abruptly ends their journey.

This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.

Ninon is a spirited hotel-manager who teaches self-defense classes to her terrified eldery neighbors. Daiga, an aspiring Lithuanian actress newly arrived to Paris, becomes fascinated with the life of a mysteriously beautiful drag performer.

An emotionally cold man leaves the safety of his Alpine home to seek a heart transplant and an estranged son.

Almanac of five short stories commissioned by ROSKOMKINO to celebrate the 100th anniversary of cinema.

Once upon a time, a young and cheerful painter named Makar was invited to the king's palace... There he saw a beautiful woman trying on a crown. Makar fell in love, but was expelled from the palace. After undergoing all kinds of trials and heroic deeds, the former painter came to the palace to ask for the princess's hand in marriage, but saw before him a capricious ugly woman—and realized that he had been enchanted by the servant Katya.

The atmosphere of a corridor between yesterday and tomorrow, where many doors open into the unknown. A series of faces, gestures and images both real and imagined time. A fragmentary narrative without dialogue depicting several people in Vilnius.

977 is a coded number relating the attempt to “test the harmony with algebra”, to figure out the mathematical regularities of emotional and spiritual realms of human being. The characters have volunteered for the experiment to be put through not only scientific researching, but also through the everyday trials of friendship, love, attractions, envy and “the strongest of affects” – the curiosity. Thus, the scientific experience turns into human one, and a result is unpredictable…

A drama about a Russian artist who desperately tries to find himself in New York.

A moving world of spirits and ghosts, condemned to brush against one another without really meeting since they have all emerged from a single perpetual dream: that of a young man who no longer wants to wake up, immersed as he is in this world of fascinating spectres.

A mysterious foreign woman who is staying temporarily in a house there. Who she is and what her secret is are both slowly revealed in the reconstruction of a story about passion, revenge and war. Paul Ruven's homage to the films of Marguerite Duras and Chantal Akerman.

In 1997, for it's fiftieth anniversary, the Cannes Film Festival asked Leos Carax for a short film, a kind of postcard addressed to the festival, in which the director would give news of himself and of his film project "Pola X."

A slow, dialogue-free film about a woman's journey in Siberia.

An inquiry into the nature of identity, the inevitability of death, and the human condition in the twenty-first century.

The question is, whether Katya Golubeva, an icon of the European underground cinema, determined her fate with the parts she played, or the fate of her characters affected her own fate?

During the final winter of WWII, as displaced persons return to their former homes in the Soviet Union, an 8-year-old boy is left alone when his mother dies en route.