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Leslie Fenton

Leslie Fenton

Acting

Biography

From Wikipedia, the free encyclopedia Leslie Fenton (12 March 1902 – 25 March 1978) was an English-born American actor and film director. He appeared in 62 films between 1923 and 1945. Fenton was born on 12 March 1902 in Liverpool, Lancashire, England. He moved to America with his mother, Elizabeth Carter, and his brothers when he was six years old. They sailed as steerage passengers on board the R.M.S. Celtic. As a teenager, Leslie worked as an office clerk. He moved to New York and began a career on the stage. His film career began later with Fox Studios. He also directed 19 films between 1938 and 1951. He married American actress Ann Dvorak in 1932. Dvorak (Anna May McKim) moved to Britain with Fenton while he served in the British armed forces during the Second World War. The union was childless and ended in divorce in 1945. Fenton died 25 March 1978 in Montecito, California, aged 76. Some sources, including IMDb, incorrectly cite Frank Fenton, the noted screenwriter and novelist, as his younger brother. Frank Fenton's parents were actually John Fenton and Eveline Edgington (married Liverpool, 1900), as evidenced by the ship's manifest for the RMS Caronia (page 0817, line 0008), aboard which Frank Fenton arrived in the US on 21 April 1906.

Known For

The Public Enemy
7.3

Two young Chicago hoodlums, Tom Powers and Matt Doyle, rise up from their poverty-stricken slum life to become petty thieves, bootleggers and cold-blooded killers. But with street notoriety and newfound wealth, the duo feels the heat from the cops and rival gangsters both. Despite his ruthless criminal reputation, Tom tries to remain connected to his family, however, gang warfare and the need for revenge eventually pull him away.

The Public Enemy

1931
Lady Killer
6.9

An ex-gang member tries to resist his old cohorts' criminal influence after he suddenly becomes a Hollywood movie star.

Lady Killer

1933
Boys Town
6.8

Devout but iron-willed Father Flanagan leads a community called Boys Town, a different sort of juvenile detention facility where, instead of being treated as underage criminals, the boys are shepherded into making themselves better people. But hard-nosed petty thief and pool shark Whitey Marsh, the impulsive and violent younger brother of an imprisoned murderer, might be too much for the good father's tough-love system.

Boys Town

1938
Take the Stand
5.5

A radio columnist is threatened by gangsters and later murdered during a broadcast. A detective sets out to find the killers.

Take the Stand

1934
Marie Galante
4.9

On the French coast, unlucky Marie Galante is abducted and forced to board an American cargo ship bound for the Panama Canal. When an escape attempt leaves Marie high and dry in the Yucatan, she takes work as a nightclub singer to earn her safe passage to the Canal region. But Marie faces bigger problems when she gets mixed up in a destructive plot against the U.S. Naval fleet, and so she accepts the kindly assistance of secret agent Dr. Crawbett.

Marie Galante

1934
Saigon
6.0

After World War II Larry learns that his flying buddy Mike will only live a short time despite the efforts of the doctors. He takes on a profitable flying job for profiteers Maris to finance a good time for his buddy. As the plane takes off he shoves Maris' secretary Susan on board. When Mike falls for her, Larry tells her to play along for Mike's sake. She, of course, falls for Larry.

Saigon

1947
Streets of Laredo
6.0

Texas, 1878: cheerful outlaw-buddies Jim, Lorn and Wahoo rescue spunky orphan Rannie Carter from rustling racketeers, then are forced to separate. Lorn goes on to bigger and better robberies, while Jim and Wahoo are (at first reluctantly) maneuvered into joining the Texas Rangers. For friendship's sake, the three try to keep out of direct conflict, but a showdown begins to look inevitable. And Rannie, now grown into lovely young womanhood, must choose between Lorn and Jim

Streets of Laredo

1949
The Redhead and the Cowboy
5.4

Gil Kyle finds himself caught up in the politics and unrest of the American Civil War and soon gets himself framed for a murder. His only alibi is Candace Bronson, who is aiding the Confederate cause and has left the territory to deliver a vital message about a Yankee gold shipment. So he sets off in pursuit, running into desperados, government agents, and guerrilla fighters, who are more interested in profit than ideals. Written by Alfred Jingle

The Redhead and the Cowboy

1951
The Man Who Came Back
4.3

A spoiled carefree rich kid gets into too much trouble for his father who sends him out on his own to prove himself capable of making a respectable man of himself.

The Man Who Came Back

1931
The First Kiss
9.0

The Talbots, formerly one of the Eastern Shore's first families, have gone to seed: Pap is a drunk, soddenly decaying in his ruined ancestral home, and three of his sons (William, Carol, and Ezra) are lazy, shiftless young men. Mulligan, Pap's second son who supports the entire family by oyster fishing, falls in love with wealthy Anna Lee, but when he first kisses her, she calls him "white trash."

The First Kiss

1928
On Our Merry Way
5.7

Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests, "Has a little child ever changed your life?" Oliver gets answers from two slow-talking musicians, an actress whose roles usually feature a sarong, and an itinerant cardsharp. In each case the "little child" is hardly innocent: in the first, a local auto mechanic's "baby" turns out to be fully developed as a woman and a musician; in the second, a spoiled child star learns kindness; in the third, the family of a lost brat doesn't want him returned. And Oliver, what becomes of him?

On Our Merry Way

1948
Dynamite
6.4

Wealthy Cynthia is in love with not-so-wealthy Roger, who is married to Marcia. The threesome is terribly modern about the situation, and Marcia will gladly divorce Roger if Cynthia agrees to a financial settlement. But Cynthia's wealth is in jeopardy because her trust fund will expire if she is not married by a certain date. To satisfy that condition, Cynthia arranges to marry Hagon Derk, who is condemned to die for a crime he didn't commit. She pays him so he can provide for his little sister. But at the last minute, Derk is freed when the true criminal is discovered. Expecting to be a rich widow, Cynthia finds herself married to a man she doesn't know and doesn't want to.

Dynamite

1929
Whispering Smith
6.7

Smith is an iron-willed railroad detective. When his friend Murray is fired from the railroad and begins helping Rebstock wreck trains, Smith must go after him. He also seems to have an interest in Murray's wife (and vice versa).

Whispering Smith

1948
Murder on a Bridle Path
5.4

When the body of Violet Feverel is discovered on the Central Park bridle path, Inspector Oscar Piper presumes her death was accidental, until his friend, amateur detective Hildegarde Withers, locates Violet’s horse and discovers it is streaked with blood.

Murder on a Bridle Path

1936
I Believed in You
7.0

An aspiring writer and her boyfriend, a professional agitator head off to the Big Apple in search of good fortune. Unfortunately, the agitator soon finds himself in trouble with the cops. Meanwhile the writer attempts to become a Greenwich Village Bohemian type. She and her new friends are all starving for their art until a kindly gent offers them financial assistant. They refuse on principle. Tragedy pays a call when the writer learns that her boyfriend has been untrue.

I Believed in You

1934
The Man I Love
5.5

Wellman’s first all-talkie, scripted by Herman Mankiewicz, with arrogant boxer Richard Arlen romancing Mary Brian, then falling for temptress Olga Baclanova (Freaks) on the eve of the big fight.

The Man I Love

1929
The Strange Love of Molly Louvain
6.1

A fast-talking reporter befriends a young woman and her male companion who are wanted for a policeman's shooting.

The Strange Love of Molly Louvain

1932
Night Flight
5.8

Story of South American mail pilots, and the dangers they face flying at night.

Night Flight

1933
Broadway
5.7

A naive young dancer in a Broadway show innocently gets involved in backstage bootlegging and murder.

Broadway

1929
Two in the Dark
6.1

When Mr. X (Walter Able) wakes up in the city park with amnesia, bloody and apparently connected to a murder of a well-known producer. Fast talking Marie Smith (Margot Grahame) takes pity on him, they solve the case and discover his identity.

Two in the Dark

1936