Vincenzo Bellini

Oroveso, a Druid High Priest, gathers his people in a sacred forest and prays to their gods for help in vanquishing the Romans who have taken over Gaul. Unbeknownst to Oroveso, his daughter, Norma, a High Priestess, has for some time been the lover of Pollione, the leader of the Romans; she has, in fact, not only broken her sacred vow of chastity but has borne two children to the warrior. Norma uses her position to dissuade the Gauls from attacking the Romans, claiming that the gods have told her that the time is not favourable. Recorded at Théâtre Antique d'Orange, 1974

In a series of long held shots, men are observed performing simple tasks in real time, while on the soundtrack we hear excerpts from opera.

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Italian TV production of the Bellini opera

Bellini - i Capuleti e i Montecchi at the Gran Teatre del Liceu, Barcelona

La Sonnambula is an idillic, classical and intense melodramma with an extremely fine, lyrical musicality and tense with pure "canto", suspended between Arcadia and Romanticism. It is a combination of tender and melancholic sentiments and of tragic and moving passion, in a natural uncontaminated and innocent atmosphere and humanity which clearly represent the artistic experience of the composer. The charming staging by Hugo de Ana, at the Teatro Lirico di Cagliari goes back to January 2007. Through fascinating tableaux vivants, references to 17th century Romantic painting and refined visual projections, it is a tribute to Luchino Visconti. Visconti produced the memorabile performance of Sonnambula in March at the Scala di Milano with the magnificant Maria Callas.

NORMA tells the tragic story of a supposedly chaste druidic priestess, who is driven to murderous jealousy by her lover's inconstancy. But she forgoes vengeance, protects innocence, and sees to it that the guilty atone for their crimes. Fiorenza Cedolins, Sonia Ganassi, Vincenzo La Scola, and Andrea Papi star in this 2007 Gran Theatre Del Liceu/Grand Theatre de Geneve co-production of the Bellini opera.

Live performance from the Zurich Opera House, January 2002.

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A passionate young couple finds itself caught up in a conflict between opposing political factions. Entangled as they are in a web of political intrigue, deception and madness, will the power of their love prevail? Set in England during the Civil War, Bellini’s last opera I puritani opposes Royalist cavaliers and rebellious Puritans. Its sweeping historical drama and romantic intrigues drew rapturous music of melancholy intensity from the composer. For the first time, this production includes the entire score written for the work’s Paris premiere.

In Concert at the Met (DVD) - Highlights Five of the Met's greatest stars - Price, Horne, Troyanos, Domingo, and Milnes - joined James Levine for a series of irresistible concert programs, originally telecast in the 1980s. Featuring works by composers ranging from Handel to Meyerbeer to Puccini and Verdi, these performances include some of opera's favorite moments, delivered by a stunning group of legendary artists. Plàcido Domingo, Tatiana Troyanos (February 28, 1982) Leontyne Price, Marilyn Horne (March 28, 1982) Plàcido Domingo, Sherrill Milnes (January 30, 1983)

From Venice's Teatro La Fenice, the traditional New Year's Concert conducted by Maestro Michele Mariotti, featuring arias, duets, and choral pieces performed by soloists Rosa Feola and Jonathan Tetelman. The event will be enhanced by dance performances by étoiles Eleonora Abbagnato and Friedemann Vogel.

Bellini's radiant retelling of Shakespeare's Romeo and Juliet is a beacon in the bel canto tradition. San Francisco Opera's co-production features two of the greatest voices in bel canto together for the first time: mezzo Joyce DiDonato and soprano Nicole Cabell. Their compelling duet is one of the finest marriages between two voices in many, many years. The production, directed by Vincent Broussard and featuring costumes by Christian Lecroix, is captured in brilliant HD.

In Guy Joosten's ingenious production of Bellini's masterpiece, Norma is about more than just beautiful singing. It becomes a layered, timeless drama in which Norma is the archetypal successful woman struggling to retain her dominant but vulnerable position. Hasmik Papian's lyrical and intense interpretation of the title role accentuates the striking similarity between a Druid high priestess and a modern opera diva. Conductor Julian Reynolds guides the brilliant cast, choir and Netherlands Chamber Orchestra to great heights, providing a refreshing new take on the chef d’oeuvre of bel canto.

Gualtiero is an exiled count, forced to become a pirate. His enemy Ernesto blackmails Imogene into marrying him, even though he knows she loves Gualtiero. In the searing final scene Imogene goes insane when Gualtiero is condemned to death. This is riveting bel canto drama as you have seldom hear it.

The career of Maria Callas was just a bit too early and too brief to receive full and satisfying video documentation like that now being accorded to such singers as Renée Fleming and Luciano Pavarotti. This black-and-white televised recital (Callas's Paris debut) took place at the Paris Opera on December 19, 1958 when television was still in its infancy. We might wish that it had happened earlier, when her voice was in better condition, or later, when video recording technology was more advanced--so that, for example, we would not have to take the narrator's word that Callas is wearing a red dress. But this is probably the best available Callas video recording, and her fans will welcome it warmly. Visual elements were as important as the vocal dimensions in her art.

With “Opera in the Embassy,” a bridge between France and Italy, a new opera season begins. French and Italian arias will be performed by young artists from the Fabbrica-Teatro dell'Opera di Roma and the Académie-Opéra national de Paris in an exceptional concert at Palazzo Farnese and the Hôtel de la Rochefoucauld-Doudeauville.

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Nadine Sierra summits another peak of the soprano repertoire as Amina, who sleepwalks her way into audiences’ hearts in Bellini’s poignant tale of love lost and found. In his new production, Rolando Villazón—the tenor who has embarked on a brilliant second career as a director—retains the opera’s original setting in the Swiss Alps but uses its somnambulant plot to explore the emotional and psychological valleys of the mind. Tenor Xabier Anduaga co-stars as Amina’s fiancé, Elvino, alongside soprano Sydney Mancasola as her rival, Lisa, and bass Alexander Vinogradov as Count Rodolfo. Riccardo Frizza takes the podium for one of opera’s most ravishing works.

In this documentary, award-winning filmmaker Susan Froemke explores the creation of the Metropolitan Opera’s storied home of the last five decades. Drawing on rarely seen archival footage, stills, and recent interviews, The Opera House looks at an important period of the Met’s history and delves into some of the untold stories of the artists, architects, and politicians who shaped the cultural life of New York City in the ’50s and ’60s. Among the notable figures in the film are famed soprano Leontyne Price, who opened the new Met in 1966 in Samuel Barber’s Antony and Cleopatra; Rudolf Bing, the Met’s imperious General Manager who engineered the move from the old house to the new one; Robert Moses, the unstoppable city planner who bulldozed an entire neighborhood to make room for Lincoln Center; and Wallace Harrison, whose quest for architectural glory was never fully realized.