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Donald Cammell

Donald Cammell

Writing

Biography

​From Wikipedia, the free encyclopedia.   Donald Seaton Cammell (17 January 1934 – 24 April 1996) was a Scottish film director who enjoys a cult reputation thanks to his debut film Performance, which he co-directed with Nicolas Roeg. Description above from the Wikipedia article  Donald Cammell , licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known For

Demon Seed
5.9

A scientist creates Proteus, an organic supercomputer with artificial intelligence which becomes obsessed with human beings, and in particular the creator's wife.

Demon Seed

1977
Hollywood U.K.: British Cinema in the Sixties
7.0

Five programmes that trace a remarkable decade in British film-making through interviews with its stars and directors.

Hollywood U.K.: British Cinema in the Sixties

1993
Wild Side
5.7

A bank accountant who moonlights as a high-priced call girl becomes embroiled in the lives of a money launderer, his seductive wife, and his bodyguard.

Wild Side

1996
Performance
6.8

In underworld terms, Chas Devlin is a 'performer,' a gangster with a talent for violence and intimidation. Turner is a reclusive rock superstar. When Chas and Turner meet, their worlds collide—and the impact is both exotic and explosive.

Performance

1970
RPM
3.3

A professional car thief pulls off the heist of a lifetime when he steals a prototype supercar.

RPM

1998
La Collectionneuse
6.9

A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men.

La Collectionneuse

1967
Tilt
5.3

Tilt is the story of a precocious young girl who is a pinball wizard. Because she does not get on with her parents, Tilt is contemplating running away from home. Skipping school one day, she decides to go to to Mickey's Bar. Mickey, who is Tilt's good friend, helps her set up a gambler for a pinball game. Because the gambler is unaware of Tilt's pinball wizardry, he is easily hustled out of his money. While watching the confrontation, a young man named Neil Gallagher, who is an aspiring musician, is impressed with Tilt's ability, congratulating her after the win. Neil invites Tilt to watch him sing at a rock concert, and after his performance she believes he can become a great singer. Because Neil needs money for a demo tape of his songs, he has an idea of taking Tilt with him and having her hustle would-be gamblers.

Tilt

1979
White of the Eye
5.8

In a wealthy and isolated desert community, a sound expert is targeted as the prime suspect of a series of brutal murders of local suburban housewives who were attacked and mutilated in their homes. As he desperately tries to prove his innocence, his wife starts to uncover startling truths...

White of the Eye

1987
Duffy
6.3

Half-brothers Stefane and Antony despise their biological father, callous millionaire Charles Calvert. Because Charles refuses to share his wealth with his sons, Stefane and Antony ask hip American thrill-seeker Duffy to help steal the money they believe is their birthright. When Charles decides to move a large portion of his savings from Morocco to France, Duffy has an opportunity to stage a daring burglary attempt at sea.

Duffy

1968
Magick Lantern Cycle
7.9

Cinematic magician, legendary provocateur, and author of Hollywood Babylon, Kenneth Anger was a unique figure in post-war American culture. His iconic short films are characterised by a mystical-symbolic visual language and phantasmagorical-sensual opulence that underscores the medium’s transgressive potential. Anger’s work fundamentally shaped the aesthetics of 1960s and 1970s subcultures, the visual lexicon of pop and music videos and queer iconography. These nine films form the basis of Anger’s reputation as one of the most influential pioneers of avant-garde film and video art. Fireworks, 1947, 14 min Puce Moment, 1949, 6 min Rabbit's Moon, 1950/1971, 16 min Eaux d'Artifice, 1953, 13 min Inauguration of the Pleasure Dome, 1954, 37 min Scorpio Rising, 1964, 28 min Kustom Kar Kommandos, 1965, 3 min Invocation of My Demon Brother, 1969, 11 min Lucifer Rising, 1981, 27 min

Magick Lantern Cycle

1974
No image
5.3

The history of film and video censorship in Great Britain.

Empire of the Censors

1995
The Touchables
3.8

British rock star with a love-'em-and-leave-'em reputation. The tables are turned when four cute young girls kidnap the singer. After several days of sex and degradation, the poor fellow is rescued by his friends.

The Touchables

1968
The Films of Kenneth Anger: Volume Two
10.0

Covering the second half of Anger's career, from his legendary SCORPIO RISING to his breathtaking phantasmagoria LUCIFER RISING, Fantoma is very proud to complete the cycle with this long-awaited final volume of films by this revolutionary and groundbreaking maverick, painstakingly restored and presented on DVD for the first time anywhere in the world. Contains the films: Scorpio Rising (1964) Kustom Kar Kommandos (1965) Invocation of My Demon Brother (1969) Rabbit's Moon (1979 version) Lucifer Rising (1981)

The Films of Kenneth Anger: Volume Two

2007
Lucifer Rising
6.8

Egyptian gods summon the angel Lucifer, in order to usher in a new occult age.

Lucifer Rising

1974
No image
6.5

Documentary profile of the Scottish painter, screenwriter and director Donald Cammell, who committed suicide in 1996.

Donald Cammell: The Ultimate Performance

1998
The Argument
6.2

Sometimes viewed as a companion piece to Lucifer Rising, Cammell’s 1972 short was left incomplete by the director and rediscovered and finished by his editor and close collaborator Frank Mazzola in 1999. The result is a visually stunning piece of work, shot in Bryce Canyon by the great Vilmos Zsigmond in glorious color and Cinemascope, with Myriam Gibril as Aisha the Witch and Kendrew Lascelles as the Director shouting a philosophical dialogue amidst the echoing rock formations.

The Argument

1999
Nothing As It Seems: The Films of Nicolas Roeg
N/A

Documentary on Nicolas Roeg

Nothing As It Seems: The Films of Nicolas Roeg

1982