Miguel Aceves Mejía

Three young ladies become the owners of a rough and tumble cowboy bar that they're not well-equipped to manage.

Romcom with music: owner of an auto-repair shop woos the owner of a beauty parlor.

Daniel is let out of jail for his mothers funeral. During his furlough he kidnaps his son and takes him to a movie set where a western is being shot.

A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.

Respectable guy uses a pseudonym when he wants to cut loose in a neighboring town. A friend of his picks up the pseudonym habit, and they take turns pretending to be the same person, until their cover stories get too snarled to continue.

Cowboy revenge-drama, paired with a love triangle between two Mexican fellers and a rather unpleasant gringa.

A Mexican steer rancher goes to Spain to get some bulls he bought but that were never delivered. He meets a flamenco dancer during his stay in Madrid and falls for her.

Three Black Angels (Spanish: Tres angelitos negros) is a 1960 Mexican comedy film directed by Fernando Cortés and starring Miguel Aceves Mejía, Yolanda Varela and Pedro Vargas.

Itinerant folk-singer returns to his home town, gets caught in two intersecting love triangles. It ends badly.

A Mexican singer travels the world and finds love in Argentina.

Anthropologist goes to small town to do field work supporting her theories about the primitive/subhuman origins of machismo.

White-collar criminals conspire to prevent a shmuck from collecting an inheritance.

Producer, director and projectionist watch an assortment of musical numbers and brainstorm about framing narrative that could contain them all.

This post-World War II drama, (released to a world-wide audience on July 9, 1949), is definitively unique for the caliber of each of its contributing writers, who are clearly better-known for their cinematic talents in black and white . For instance, the film's Director Chano Urueta ( who became an acclaimed actor in his own right), actually co-wrote the script along with one of its principal actresses, namely Esther Fernandez, as well as adding in the literary abilities of a well-known movie-producer of the era named Luis Marique.

Ranchera singer and his sidekick travel to Argentina to mix it up with a playboy who bragged to them about the tour he'd book for them.

Small-town rom-com from a female POV.

Wealthy land-owner poses as a bandit, robbing only his own properties, to get the romantic attention of a woman who lives down the road.

Nun tries to heal the relationship between a six-year-old boy and his estranged father.

Pedro Muñoz is a womanizer that does not escape one until Irene Garza arrives and makes him to see his luck, while the aunt of her tries to separate them.

Elena (Libertad Lamarque), already a star, falls madly in love with Roberto. They make it to the altar. Elena and Roberto adopt a baby. The years go by and everything is happiness in the couple’s life—until one day the girl’s grandfather appears.