Acting
Cowboy revenge-drama, paired with a love triangle between two Mexican fellers and a rather unpleasant gringa.
Romcom with music: owner of an auto-repair shop woos the owner of a beauty parlor.
Nun tries to heal the relationship between a six-year-old boy and his estranged father.
Two brothers butt heads: one's a gadabout charro playboy and the other's a priest.
Upper-crust city gal falls for a rough-edged working-class guy, so she follows him to his home town and masquerades as a peasant/Indian local to win him over. All very stalky and classist.
Charro-dude wants his sister to marry into professional city-folk and move into the upper classes... but she's in love with somebody from their own social stratum.
A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.
Three Black Angels (Spanish: Tres angelitos negros) is a 1960 Mexican comedy film directed by Fernando Cortés and starring Miguel Aceves Mejía, Yolanda Varela and Pedro Vargas.
Itinerant folk-singer returns to his home town, gets caught in two intersecting love triangles. It ends badly.
Small-town rom-com from a female POV.
No description available.
White-collar criminals conspire to prevent a shmuck from collecting an inheritance.
Western heist movie; a complicated bank job goes bad, and two groups of thieves fight the sheriff and each other.
Producer, director and projectionist watch an assortment of musical numbers and brainstorm about framing narrative that could contain them all.
Famous singer becomes desperate to figure out which of three women helped to launch his early career with anonymous mentoring and support.
Mexican singer touring Argentina wins a country estate in a poker game.
Two brothers are trying to raise emergency cash by doing cockfights and horse-races. They meet two sisters.
Elías, a banker and the secret leader of a gang, tries to persuade Pedro—the father of young Laura and little Chava—to sell him his ranch. Five friends—the shopkeeper Trini, the blacksmith Quique, the horseman Cuco, the barber Javier, and the doctor Demetrio—serenade Laura. After her father is murdered, the five friends, encouraged by the judge, who reveals the banker’s guilt to them, disguise themselves as The Five Hawks and fight against the gang.
Anthropologist goes to small town to do field work supporting her theories about the primitive/subhuman origins of machismo.
Wealthy land-owner poses as a bandit, robbing only his own properties, to get the romantic attention of a woman who lives down the road.
