László Horváth

A desk-bound CIA analyst volunteers to go undercover to infiltrate the world of a deadly arms dealer, and prevent diabolical global disaster.

1944. A band of runaways and orphans of the war scour the countryside in search of food and shelter. They invade and then taken in by a musician and former concert pianist who’s hiding out in a ruined castle. After the initial altercation between them the gang accepts his guidance and he wins their respect by protecting them from the elements.

In the vocational school the professionally excellent Dani János works on his own invention in his leisure time, but he does not like learning. However, even his own father learns in the evenings, he will become a teacher.

The movie portrays a peasant revolt in Hungary in the early twentieth century.

A political conspiracy is brewing in an unnamed Latin American country. Everything is in play: blackmail, bribery, political assassinations, newspaper slander. The operation, code-named "Centaur", is conceived in Washington.

Angi Vera is a young nursing assistant in a hospital. When she speaks out against the appalling conditions, she is reprimanded, but the Communist Party takes her under its wing. She is sent for ideological training, where she learns to be an agitator in exchange for accommodation and meals. Meanwhile, she falls in love with one of her teachers, but she cannot live out her love within the walls of the strict school.

After her husband's death, Hanna Szendroy, the former primadonna, is caught in the claws of the real estate mafia. She looses her lavish home and ends up homeless at the Keleti train station. When she returns to her house, now full of homeless people moved in by the real estate mafia, an unexpected relationship brings hope into her life again.

This movie is about the love and protection of a man from another culture for the lowly horsemen of the the plains in Hungary during World War II.

Based on a true story, a love affair develops between a half brother and half-sister. When pregnancy results and word gets out the public is outraged.

The penniless but handsome Count Zalavári chooses a rich girl from the countryside for her money. They don't get to marry because the butler catches him with the maid. He meets an American millionairess who gives him expensive jewelry as a gift. She is killed by her driver later that night. All suspicion falls on the Count.

Allegory of the suppression of the 1919 revolution and the advent of fascism in Hungary; in the countryside, a unit of the revolutionary army spares the life of father Vargha, a fanatical priest. He comes back and leads massacres. A new force, represented by Feher, apparently avenges the people, but only to impose a different, more refined and effective kind of repression.

A family slowly disintegrates under various pressures in late 1970s communist Hungary.

Terpinkó, the bragging man of muscle likes womanising linked with betting: conquering is a great fun for him. He bet one to a hundred on his new boss, Éva. But the wife of the engineer handles all his tricks with annoying benevolence. Terpinkó falls in love with her and therefore he cannot stand her not returning his feelings.

Croatian anarchists collaborate with Hungarians to make a bid for the life of King Alexander of Yugoslavia.

The life of King Béla IV's daughter is brought to life in the film. Blessed Margaret of the House of Árpád was raised from the age of nine in the monastery of the Domokos nuns on the island of Nyulak. In the neighbouring monastery live monks, among them Jancsi, the gardener's son, who is charmed by the little princess. The feeling of love gives him the cross and the adolescent boy becomes a monk among the "prisoners of God".

A few days from a daily life of a regular school in Hungary during fifties.

White-clad figures in gas masks appear from time to time. They are the Program group. It is presumably the behaviour of these characters - the population - who appear in each other's strange dreams that has triggered the desire of businessmen and politicians to call in foreign help to restore order. They have come with unknown aims, and are doing their work in terror. The film is a chain of surreal dreams, yet the feeling is familiar. We are home.

Sheep, a dog, a camera and the filmmaker behind it; somewhere beyond, danger.