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Line Noro

Line Noro

Acting

Biography

Aline Simone Noro, known as Line Noro, born February 22, 1900 in Houdelaincourt (Meuse) and died November 4, 1985 in the 13th arrondissement of Paris, is a French actress. Line Noro is the granddaughter of the communard couple Jean-Baptiste and Émilie Noro, originally from Lyon. In the theatre, Line Noro has notably worked with Jacques Copeau, Charles Dullin and Louis Jouvet. For more than twenty years, she was a resident of the Comédie-Française (from 1945 to 1966). Actress of composition roles, also specializing in "weeping roles", she played in the cinema in about fifty films between 1928 and 1956, among which: "Pépé le Moko" by Julien Duvivier (1937), "Goupi Mains Rouges " by Jacques Becker (1943), "La Symphonie Pastorale" by Jean Delannoy (1946) or even "Meurtres?" by Richard Pottier (1950). Line Noro was the wife of director André Berthomieu (died in 1960). Due to sight problems, she left the stage and the screens in the 1960s. She died in 1985 following a long illness.

Known For

We Are All Murderers
6.7

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

We Are All Murderers

1952Movie
Before the Deluge
6.6

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.

Before the Deluge

1954Movie