Stewart Lee

The biggest stars, the most iconic performances, the most outrageous outfits – it’s Britain’s number one pop show.

Hilarious, totally-irreverent, near-slanderous political quiz show, based mainly on news stories from the last week or so, that leaves no party, personality or action unscathed in pursuit of laughs.

A weekly, topical panel show based around a huge series of opinion poll surveys carried out around Britain.

Never Mind the Buzzcocks is a comedy panel game show with a pop and rock music theme. The show is infamous for its dry, sarcastic humour and scathing, provocative attacks on the pop industry.

Celebrity Mastermind is a British television quiz show broadcast by BBC television. The show is a spin-off of the long-running quiz show Mastermind, with the exception that all the contestants are celebrities. As with the main show, John Humphrys is the host and question-master. Magnus Magnusson was quizmaster on the 2003/04 episodes featuring Jonathan Meades as winner.

For hundreds of years, the Claus family has delegated the title "Santa" to a chosen few of its members, which can be passed down upon retirement. Each Christmas, Santa and his vast army of highly trained elves produce gifts and distribute them around the world in a one-night high-tech operation. However, when one of 600 million children to receive a gift from Santa on Christmas Eve is missed, it is deemed ‘acceptable’ to all but one—Arthur Claus, the current Santa’s misfit son deemed ineligible for the title, who executes an unauthorised rookie mission to get the last present halfway around the globe before dawn on Christmas morning.

Stewart Lee's Comedy Vehicle is a comedy series created by Stewart Lee. The BBC Two series debuted on 16 March 2009, and featured stand-up routines filmed at The Mildmay Club in Newington Green, and sketches based on a weekly theme, featuring amongst others Simon Munnery, Kevin Eldon and Paul Putner with voice-over parts recorded by Peter Serafinowicz. The series is produced by Richard Webb and directed by Tim Kirkby. The programme is executive-produced by Armando Iannucci and script-edited by Chris Morris, marking a rare reformation of their creative double-act.

It's Kevin is a British television comedy show, created by and starring the actor and comedian Kevin Eldon. It was screened on BBC Two between March and April 2013.

Fist of Fun was a British comedy television and radio programme, written by and starring Lee and Herring. A lot of the show's comic material was adapted from Lee and Herring's radio programme Lionel Nimrod's Inexplicable World. Each episode of Fist of Fun featured several disparate sketches and situations. Fist of Fun began as a BBC Radio 1 series in 1993, before becoming commissioned as a television series on BBC Two in early 1995. It was broadcast at 9pm on Tuesday nights, and was successful, but not a major ratings-winner. The second series was aired on Friday nights, and although its ratings were relatively good, the show suffered from a lack of preparation and poor promotion. The show was not given a third series, and Lee and Herring went on to write This Morning with Richard Not Judy, for BBC Two. Many other comedians who appeared in the series went on to fame themselves, including Kevin Eldon, Peter Baynham, Ronni Ancona, Alistair McGowan, Al Murray, John Thomson, Rebecca Front, Mel Giedroyc, Sue Perkins, Ben Moor and Sally Phillips.

Set in the year 2031, this mockumentary looks back at events that ostensibly happened during the first 30 years of the 21st century. The series follows a format that co-creator Armando Iannucci previously used in his satirical year-in-review programme '2004: The Stupid Version'.

This Morning With Richard Not Judy or TMWRNJ is a BBC comedy television programme, written by and starring Lee and Herring. Two series were broadcast in 1998 and 1999 on BBC2. The name was a satirical reference to ITV's This Morning which was at the time popularly referred to as This Morning with Richard and Judy. The show was a reworking of old material from their previous work together along with new characters. The show was hosted in a daytime chat show format in front of a live studio audience, although it featured a small proportion of pre-recorded location inserts. It was structured by the often strange obsessions of Richard Herring; examples include his rating of the milk of all creatures and attempting to popularise the acronym of the show. The show featured repetition, with regular and vigilant viewers being rewarded by jokes that would make no sense to casual viewers. The show seemed to oscillate between the intellectual and puerile. However, irony was often used, even though the citing of irony as an excuse was mocked by the show's stars in one of many self-referential jokes.

Attention Scum! was a 2001 television comedy series created by Simon Munnery and Stewart Lee. It starred Munnery as his "The League Against Tedium" character and contained acerbic stand-up routines atop a transit van and sketches including mainstays such as "24 Hour News", operatic intermissions by Kombat Opera, and two characters engaged in a duel over their hats.

Armando Iannucci's alternative take on some of the events that have defined the past 12 months.

The craft, creative process and complicated lives of Stand-up Comedians.

This feature-length big screen documentary tells the riotous inside story of the infamous sex, drugs and rock 'n' roll repertory cinema which inspired a generation during Britain's turbulent Thatcher years.

Over thirty years ago, a new wave of stand-ups spearheaded the Alternative Comedy movement, marking themselves out as different from the safe television turns, the Oxbridge satirists, and the racist and sexist Working Men’s Club comics of the time. The Alternative Comedy Experience captures that same schism happening again. An advance raiding party of modern day Alternative Comedians offering material too clever, thoughtful, radical, satirical, strange, or downright stupid to make it onto the stand-up outlets of contemporary television. Filmed in front of a real comedy club audience, with its fast-moving distinctive visual style and unique cast The Alternative Comedy Experience is original, unpredictable, and unlike any other live stand-up show on our screens.

Hello there! It's me, Harry Hill! I've got a new show, and this time, it's visualised, A VODSCARF. Join me, my son Gary and Sarah the A.I Bot as we talk to a motley crew of comedians, celebrities and cultural icons, and if that wasn't enough we all learn together as we speak to an expert on stuff like the big bang, day of the dead, and even FLIES as part of our theme of the week! PLUS introducing the game everyone is talking about, Name The Seed

Different opinion-formers give their views on particular issues.

Johnny Vegas has crawled his way to the top of the showbiz ladder. Fame, wealth and awards are his but there's a problem...he's lost his edge. He's no longer funny and the fans have begun to take notice... The solution? Return Vegas to his stand-up roots - The Edinburgh Fringe Festival. How? Kidnap Johnny and surround him with a mad lifestyle manager, a meglomaniac sponsor and his obsessive comic flatmate who should've been sectioned years ago. Then just sit back, watch his world fall apart and hope his new found misery means he can reclaim his place amongst stand-up comedy's finest with hilarious results! Succeed or fail, one question must be answered...Who's Ready For Ice Cream?

How does a working class autodidact, with no visible means of support, maintain his role as the leader of a cult British underground band into its fifth decade? Comedian and writer Stewart Lee, director Michael Cumming and James Nicholls investigate the mysterious existence of Robert Lloyd, Britain’s ultimate post-punk survivor. Robert Lloyd’s Prefects played with The Clash on the White Riot tour in 1977, and their ongoing incarnation, as Birmingham’s Captain Beefheart suffused post-punk poets The Nightingales, recorded more John Peel sessions than any other band. Ever. But what were the social, cultural and economic circumstances that enabled and sustained such outsider artists in the punk and post-punk eras, and how has the world changed to the point where such figures are unlikely to flourish in the same way today? Lloyd’s own odyssey echoes how abstract notions of social mobility, of the value of culture and music, have changed in the last five decades.