Directing
Jean-Charles has an unusual relationship with his mother. He can't break free of her influence even when writing his master's thesis, made up of interviews with the several hundred men who have slept with her. Jean-Charles can identify -- he's one of them. But the incestuous bond between mom-and-son is jeopardized when Jean-Charles meets Cassandra, and Mom shifts her attentions to a hot young stud in retaliation.
A bloody drama and an apocalyptic vision of the universities, and more generally of Québec society.
Quebec writer François Agira, despite only writing one novel, achieved almost legendary status. Living off his royalties, he indulged in a hedonistic lifestyle. However, as he approached his sixties, the novelist began to face challenges with impotence and financial difficulties. Returning to his two sons, Paul and Patrick, Agira found himself in a stark contrast. Paul, a laid-back individual, followed in his father’s footsteps and was working on his first novel. In contrast, Patrick, a rigid senior executive at a pharmaceutical company, embodied the opposite. Agira moved into the dilapidated family home with Paul and his girlfriend, Sylvie, a waitress. Despite continuing to party, his life took a dramatic turn when he discovered he had cancer.
Sarah is part of a strange, marginal ménage à trois with her contemporary Louis and the older Ji-Guy, she fills her days with petty crime. During the day she hangs around with Louis by motorways, where she deceives and robs innocent people offering a lift. One day things go wrong: a driver dies during a robbery attempt. Sarah can’t stop thinking about the dead man and goes looking for the wife he left behind. In her, she finally finds something of the security and friendship she had unconsciously been seeking for so long. But her alternative family doesn’t just let her go.
