Valentina Leduc Navarro

Igor is a plumber; Pina serves coffee. It is winter and they both deeply desire each other, but they are not free. In trying to figure out how to realize their love, she decides to make a lion costume for her little son and he decides to buy a photocopying machine for his wife. Spring will come at last and with it the consummation of love, filling their lives with hope and sex.

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

This film is a chronicle of painter Frida Kahlo, and her encounter with the personalities of her time. Despite being confied to a wheelchair as a result of polio, operations and amputations, she faces and traces some of the most colorful and controversial aspects of Mexican history, during the dominant time of Mexican muralism.

A portrait documentary tracing the inspiration, philosophy and imagination of the celebrated theatre and screen writer - and Bunuel's long term collaborator - Jean Claude Carrière. Carrière predicts that between the house he was born in and the cemetery in which he will end there is a life journey of just 250 meters. "Carrière: 250 Meters" follows him as he reflects on the wealth of global traditions of storytelling, travelling through past and present, across countries and cultures from Paris to New York, Mexico and India and joined by his family, friends and collaborators. A testament to the life and work of an extraordinary man and a key architect in contemporary cinema.

Adaptation and unification in a single story of several stories by the writer Rubem Fonseca, where the theme of violence in contemporary society is explored.

The Spokeswoman narrates the trip of María de Jesús Patricio, the first indigenous woman to run for president in Mexico, revealing the nature and complexity of racism and gender discrimination in a changing society.

An extraordinary film about memory, and specifically the fading memory of an 86-year-old political activist who has fought tirelessly against historical amnesia and for justice in Argentina. The director’s grandmother, Laura Bonaparte, was one of the founders of the Mothers of the Plaza de Mayo, formed during the 1970s by women whose children and family members had been disappeared by the Videla military dictatorship. Laura herself lost three children and their partners, including the director’s parents. Today, after a lifetime battling that the disappeared never be forgotten, Laura faces her own struggle to remember.

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No description available.

Imagine that by 2050, we succeed in stopping the planet's deterioration. This documentary follows groups from Mexico, Spain, and Germany as they fiercely defend their lands from industrial destruction and build a global network of resistance.

The Story of an Encounter is a documentary that captures the unexpected encounter between México and Cirque du Soleil creators in the mist of the creation of LUZIA, Cirque du Soleil next big top show. It is a cultural and intimate story of the meeting of creative minds seen through personal interactions and relationship building of the show creators. Filmed in Mexico City, Tijuana, Oaxaca and Montréal, this series features: Daniele Finzi Pasca (Co-author and Director of LUZIA), Patricia Ruel (Direction of Creation), Simon Carpentier (Composer), Eugenio Caballero (Set and Props Designer) as well as Majo Cornejo and Rodrigo de la Mora (Musicians).

Three Junior high school girls plan to put an innocent spell on their old history teacher, but surprisingly the spell begins to work.

Letters from a distance documents a communication exercise thought out by healthcare workers from a public hospital in Mexico City to help with the distance between COVID-19 patients and their family members through letters, that eventually turn into video messages or photographs during the peak of the pandemic giving people hope and certainty. It is also a voyage through the lives of mexican families who faced the most painful pandemic, due to their social, economic and political contexts while being moved by hope and love.

Following The Witch of Texcoco as she prepares for a defining concert, the film traces her fearless challenge to gender norms while celebrating Mexican tradition. In parallel, director Gabs Nápoles undergoes a personal transformation, weaving a shared exploration of identity, body, and belonging.

Once upon a time there was a couple who hid their emotions, until one day chance knocked on their door.

Like every day, Alicia takes her son to school. Michael, a teenager overwhelmed by his mother's protection, knows that he can't do much. She is determined to prevent him from being recruited by gangs that spread terror in neighborhoods with invisible borders where every step taken has to be calculated. This is the story of Alicia, the day her son doesn't return from school, and of Michael, the day his miscalculated steps lead them both to the abyss.