
Blanca de Castejón
Acting
Biography
María Blanca Josefina Regalado Castejón y Otero (May 13, 1906 – December 26, 1969), better known as Blanca de Castejón, was a Puerto Rican actress who is best remembered for her work in the Golden Age of Mexican cinema, especially her award-winning supporting role in Escuela de vagabundos (School for tramps, 1953).
Known For

This is the Spanish-language version, with a different cast and crew, of the Charlie Chan film Charlie Chan Carries On, in which Charlie sets out to discover the killer of an American found dead in a London hotel room.
There Were Thirteen

Alberto Medina is a famous composer whose car breaks down while he is on a trip. While looking for help, he finds the Valverdes' house and is welcomed in by Emilia, the mother of the family, who is known for taking in tramps.
School for Tramps

Simultaneously shot Spanish version of Tolstoy adaptation: After a woman he has formerly mistreated is sentenced for a crime a man who was part of her jury joins her on the trip to Siberia to expatiate his guilt.
Resurrection

Tin Tan stands in as the double of a kidnapped millionaire.
Vagabundo y Millonario

Dizzy society matron plucks a hobo out of the gutter to rehabilitate him.
School for Mothers-in-Law

Good son takes the blame for father's peculations and goes off to work in the rain forest to pay off Pops' debt. Meanwhile, daughter and bad son neglect their aging parents, whose fortunes decline precipitously.
Todos son mis hijos!...

Three newly unmarried women room together, start a business, share the ups and downs of their love lives
Divorciadas

A famous singer in love with a woman takes the blame for a crime to save her. Luis Saslavsky's first film, considered lost.
Crimen a las tres

Wealthy libertine tries to seduce another man's mistress by threatening to send him to jail if she doesn't put out. Blowback from his sleazy behavior affects five other people; everybody suffers. Enormously.
Lodo y armiño

Amanda, a widow, is a beautiful woman that finds comfort seducing every man in her path, including her daughters' boyfriends.
Mamá nos quita los novios

No description available.
¡Ya tengo a mi hijo!

No description available.
Yo soy tu padre

Young women in the steno-pool have to balance work, romance, and touchy-feely bosses.
Nosotras, las taquígrafas

Amable is the drinking buddy of Paquito, a former medical student who plays Fanny's love, a cabaret singer and also with Conchita, a showgirl. One day, Paquito receives a telegram that his uncle Pancho vayaa asked to see his wife and other medical eminence to heal him his kidney ailment. Among all a hoax to mount Paquino not lose the inheritance from his uncle.
Qué hombre tan simpático

Spanish-language version of The Devil on Horseback (1936).
El carnaval del diablo
Based on the Spanish play "El caudal de los hijos" by José López Pinillos. Francisca, the daughter of a provincial gentleman in Valencia, falls in love with Miguel, a young sculptor. When Miguel leaves for Paris to complete his studies, the lovers promise to wait for each other. During Miguel's absence, however, the Duke of Montesino calls on Francisca's father and asks for her hand in marriage. Her father, pressed for money because of gambling debts, agrees to the match.
Los hijos mandan

Theatre director macks on his sons' girlfriends.
Prefiero a tu papá

A woman owning a small dressmaker's shop decides to reopen it in Broadway in luxury at all expenses, trusting merely on the cards'premonitions. She wants her little children to pair with the richest boys. Her husband, who discouraged her, dies and the business soon takes flight.
Slaves of Fashion

The rigid professor Germán, president of the League of Honor and Modesty, hates statues of naked women, but the spirit of his ancestor Casanova leads him to episodes of debauchery and conquest. Married to the rigid Severa, he becomes a corrupt mayor. Only the moralistic Rosa will be able to free him from these strange influences to improve his life and that of the town.
3 Lessons of Love

Roberto on a journey to Mexico knows to Maria de La Paz, a woman older than he, who falls in love, she also has feelings for him, but doesn't give him hopes cause she is married. Fate reunites them without imagine it, they will have to face a moral dilemma.