Jacqueline Veuve

Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

The Bapst Brothers: Romain, Maurice and Jacques – whom we will also meet in The Gruyere Chronicle (produced in 1990) – are peasants and carriers and work with their father. In autumn and winter, they bid for the community’s wood, cut down the pine trees and bring down the logs through the snowy woods by horse-drawn sleigh.

The surrealist painter René Magritte questions the objective reality and emphasizes the arbitrariness of the relationship between an object, its image and its name: the evocation of mystery consists of images of familiar things gathered or transformed in such a way that they no longer conform to our ideas, whether naive or wise.

Delphine Seyrig, an extraordinary woman and actress, died on October 15, 1990. From "Last Year at Marienbad" by Alain Resnais to "India Song" by Marguerite Duras, she played in 34 films for cinema, 13 films for television and 33 plays. Jacqueline Veuve, filmmaker and friend of Delphine Seyrig, wanted to break the silence that has fallen on her memory by making a documentary that traces with emotion and subjectivity the life of the mythical actress, the fierce feminist but also the simple friend.

This film deals with the issue of mandatory military service in Switzerland. For four months, from February to May 1990, filmmaker Jacqueline Veuve and her team filmed a platoon engaged in basic training at Colombier, Switzerland.

Film professor Michael falls in love with one of his students and is confronted with his pupil's father, with whom he had an affair over 15 years ago. This unexpected meeting abruptly overturns the lives of all the characters. When the tutor decides to undertake a planned trip to London, not with the son but with the father, he is once again forced to choose; this time between his wife and his friend.

Thirteen Swiss filmmakers, each from their own point of view, chronicle and reconstruct the narrative of Swiss cinema, from its beginning to the present day, and in doing so, retrace the history of the country.

A young Swiss drug addict has been imprisoned for robbery, and must wait and wait for his upcoming trial, all the while isolated and without hope of parole - the police are convinced he is a dealer and not just a user. He hears from his son that his girlfriend has a new man, and begins to despair of ever coming to trial, or of having another relationship like the one he lost. This fiction film is said to be based on a true story.

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Lucienne Schnegg is an energetic little woman. At eighty, she is still at the helm of the "Capitole" cinema. Hired as a secretary in 1949, she became the heiress and soul of the cinema. Cashier, housekeeper and director all in one, she tells us all about her cinema, Lausanne's oldest, largest and most beautiful.

From August to October 1942, over 2250 Jews were deported from the internment camp of Rivesaltes to Auschwitz by way of Drancy. Among them were 110 children. Friedel Bohny-Reiter, a nurse with the Swiss Aid to Children, worked in this camp in the South of France. Like many others in the formerly unoccupied zone, it was run by the French. Once a military camp, it had been converted in 1941 into a transit camp regrouping Jewish, Gypsy and Spanish people living in the area or who had fled to the free zone as refugees. Thanks to the young nurse from Basel, many children were probably saved from certain death. The film follows the nurse on a visit to that still intact site as well as through the pages of the journal she wrote in those dark days, published by Editions Zoë, Geneva in 1993.

Long ago, there were no roads to the chalets in the high mountain pastures. All the material for a new chalet had to be carried up by man or mule, so the peasants who built and cared for these chalets used the nearest rocks available and found a way to extract the sand needed for cement right on the spot. They used to burn clods of earth for three days until all vegetable residue was burned away and only the minerals remained as pink sand. This custom slowly disappeared at the beginning of the 21st century. However, 83-year-old Henri Chillez remembers seeing his father doing this when he was ten. Thanks to him, we were able, in 1987, to reconstruct the operation and film each step needed to change earth into pink sand.

The "tavillonneur" or shingle-maker cuts out and fits shingles or wood tiles into place. Shingles (called "tavillons" in Switzerland), are one of the oldest methods of roofing or covering an outside wall. There are no longer any official apprenticeships. The film follows two shingle-makers, Joseph Doutaz and Olivier Veuve, who have very different techniques of cutting and placing their shingles. Joseph Doutaz uses only the traditional "tavillons" while Olivier Veuve works with these, as well as with "anseilles," larger and thicker wood tiles. We see both men at work in Winter and in Summer, and see some of their finished buildings.

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A tale, told by his five daughters, of the life and death of a man very representative of a Protestant Switzerland in the early 20th century where life was conditioned by the work ethic. He was first a farmer, then a factory worker, then the head of a small family affair where his daughters became his workers. The business grew into an large factory that would be eventually taken over by the only son. The five stories show us the family and professional context of the first half of the 20th century. They are also five different versions of the serene death of a man who felt he had done his duty. The film illustrates the ideas of Max Weber, known for their importance in understanding the Western civilization that emerged from the Reformation.

An animated cartoon about the Creation myth reviewed and corrected by two women. God the magician has decided to create a paradise: Switzerland. He covers it with trees and cows, until Adam is born. After exploring his paradise, Adam creates Eve from one of his ribs. Man is shown as an erect penis, woman by a limbless trunk.

This documentary show the work, the worries and the joys of a family dedicated to viticulture, the Potterat, living in Lavaux. Three generations live together, keeping the old traditions

Arnold Golay, 91, a former watchmaker who once had learned to make a timepiece entirely by hand. This know-how has always stood him in good stead. Upon retirement, Golay became a full-time toy maker. Even as a watchmaker, he used to make toys for his own children. The film follows his steps as he builds a toy hand-cart, from raw wood to finished product. We also see his collection of toys, which are reduced-scale models of all the carts, wheel barrows and other implements used on the farm before the invention of the tractor.

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