Jacqueline Veuve

Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

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This documentary show the work, the worries and the joys of a family dedicated to viticulture, the Potterat, living in Lavaux. Three generations live together, keeping the old traditions

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An animated cartoon about the Creation myth reviewed and corrected by two women. God the magician has decided to create a paradise: Switzerland. He covers it with trees and cows, until Adam is born. After exploring his paradise, Adam creates Eve from one of his ribs. Man is shown as an erect penis, woman by a limbless trunk.

Like his grandfather and his father before him, François Pernet is a mountain peasant and works with wood. He trained as a carpenter and cabinet maker and owns the last water-powered sawmill still operating in French-speaking Switzerland. He and his wife have five children, two of their own, and three nephews adopted after the death of their parents in a car accident. So, to earn a living, he makes and carves cupboards and turns bannisters. In addition to his work, Pernet has become a sculptor as well. His bas-relief carvings, which have decorated local cafés, show various aspects of mountain life, including hunters, poachers, chamois and other animals.

Arnold Golay, 91, a former watchmaker who once had learned to make a timepiece entirely by hand. This know-how has always stood him in good stead. Upon retirement, Golay became a full-time toy maker. Even as a watchmaker, he used to make toys for his own children. The film follows his steps as he builds a toy hand-cart, from raw wood to finished product. We also see his collection of toys, which are reduced-scale models of all the carts, wheel barrows and other implements used on the farm before the invention of the tractor.

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Film professor Michael falls in love with one of his students and is confronted with his pupil's father, with whom he had an affair over 15 years ago. This unexpected meeting abruptly overturns the lives of all the characters. When the tutor decides to undertake a planned trip to London, not with the son but with the father, he is once again forced to choose; this time between his wife and his friend.

Thirteen Swiss filmmakers, each from their own point of view, chronicle and reconstruct the narrative of Swiss cinema, from its beginning to the present day, and in doing so, retrace the history of the country.

Armand Rouiller, 80, is a mountain peasant, woodcutter, and craftsman. He handcrafts large sledges, rakes and handles for scythes, a craft he learned from his father, who learned it from his own father, and so on. Rouiller gathers timber for his sledges and rakes from the ash, maple, and linden trees in a forest he inherited from his father. He is the last craftsman in French-speaking Switzerland to build sledges and rakes in the old-time way.

A young Swiss drug addict has been imprisoned for robbery, and must wait and wait for his upcoming trial, all the while isolated and without hope of parole - the police are convinced he is a dealer and not just a user. He hears from his son that his girlfriend has a new man, and begins to despair of ever coming to trial, or of having another relationship like the one he lost. This fiction film is said to be based on a true story.

The Bapst Brothers: Romain, Maurice and Jacques – whom we will also meet in The Gruyere Chronicle (produced in 1990) – are peasants and carriers and work with their father. In autumn and winter, they bid for the community’s wood, cut down the pine trees and bring down the logs through the snowy woods by horse-drawn sleigh.

Michel Marlétaz lives in Les Echenards, a seven-person hamlet without an access road. After a bad car accident left him injured, he had to find a new livelihood, and so he learned the cooper's trade in classes set up for mountain farmers. He now makes his living from the manufacture of small wooden ware, like pots, spoons, butter churns, buckets, and milking pails. Marlétaz is the only cooper left who knows how to make the large butter churns used in the high Summer pastures. In November, he cuts the wood he will need - elm, spruce, cherry wood - then, during the Winter season, he makes the pieces he will deliver in the Summer.

Claude Lebet, luthier, had originally wanted to be a parson, like his father before him. However, after one year in theological school, he left to study violin making in Cremona, Italy. Later, he returned to Switzerland, where he founded his workshop at La Chaux-de-Fonds in the Jura mountains. The "Musici di Roma" launched his career by buying the first violin he made, then helping him acquire his house. For Lebet, a violin takes a month and a half to make, and requires the smoothest maple and spruce, which he selects himself, along with the finest shellacs. In the film, we watch as he makes a violin for a musician who comes to try it out and to choose from various woods. It takes but six weeks for Lebet to fashion the violin, but the relationship of musician and luthier lasts a lifetime.

From August to October 1942, over 2250 Jews were deported from the internment camp of Rivesaltes to Auschwitz by way of Drancy. Among them were 110 children. Friedel Bohny-Reiter, a nurse with the Swiss Aid to Children, worked in this camp in the South of France. Like many others in the formerly unoccupied zone, it was run by the French. Once a military camp, it had been converted in 1941 into a transit camp regrouping Jewish, Gypsy and Spanish people living in the area or who had fled to the free zone as refugees. Thanks to the young nurse from Basel, many children were probably saved from certain death. The film follows the nurse on a visit to that still intact site as well as through the pages of the journal she wrote in those dark days, published by Editions Zoë, Geneva in 1993.

Marcellin Babey, from the Swiss Jura, is thirty-five years old. He works in an old workshop in the heart of Lausanne, concious that building speculators will oust him some day. As there are no longer any apprenticeships in wood turning in Switzerland, Babey learned his craft from the former owner of his Lausanne workshop, and by going, on foot, to visit old turners in France and Spain. When he learned from old documents that the inhabitants of the Swiss canton of Vaud used to play bagpipes on holidays before the Bernese Protestants forbade it in belief that it was an instrument of the devil, Babey decided to build the instrument as it used to be. In the film, we see him make and play the bagpipes.

Delphine Seyrig, an extraordinary woman and actress, died on October 15, 1990. From "Last Year at Marienbad" by Alain Resnais to "India Song" by Marguerite Duras, she played in 34 films for cinema, 13 films for television and 33 plays. Jacqueline Veuve, filmmaker and friend of Delphine Seyrig, wanted to break the silence that has fallen on her memory by making a documentary that traces with emotion and subjectivity the life of the mythical actress, the fierce feminist but also the simple friend.

This film deals with the issue of mandatory military service in Switzerland. For four months, from February to May 1990, filmmaker Jacqueline Veuve and her team filmed a platoon engaged in basic training at Colombier, Switzerland.