Chris Dapkins

A deliciously scandalous portrait of unsung Hollywood legend Scotty Bowers, whose bestselling memoir chronicled his decades spent as sexual procurer to the stars.

Writer and urban activist Jane Jacobs fights to save historic New York City during the ruthless redevelopment era of urban planner Robert Moses in the 1960s.

An evangelical family offers a traveling knife salesman a ride on their way through upstate New York.

Marion Stokes secretly recorded television 24 hours a day for 30 years from 1975 until her death in 2012. For Marion taping was a form of activism to seek the truth, and she believed that a comprehensive archive of the media would be invaluable for future generations. Her visionary and maddening project nearly tore her family apart, but now her 70,000 VHS tapes are being digitized and they'll be searchable online.

An exhausted, workaholic actress, Anna Baskin, 44, abruptly extricates herself from a successful but mind-numbing TV role, returning to her past life in New York to reinvent herself.

From Schubert to Strauss, Bach to Brahms, Mozart to…Billy Joel, Itzhak Perlman’s violin playing transcends mere performance to evoke the celebrations and struggles of real life. Director Alison Chernick’s (The Jeff Koons Show, Matthew Barney: No Restraint) new documentary provides an intimate, cinéma vérité look at the remarkable life and career of this musician, widely considered the world’s greatest violinist. Features new interviews with the world-renowned violinist, his family, friends and colleagues including Billy Joel, Alan Alda, pianist Martha Argerich and cellist Mischa Maisky.

The self-help industry is worth $11 billion a year. It’s an industry that captivates those seeking happiness, release from suffering and those longing for a path and a leader to follow. James Arthur Ray for many who followed him was that leader to guide his flock. But as the story unfolds, as told by Ray himself and also by his followers, we learn that that path was fraught with danger and perhaps even greater suffering.

Max leaves his lakeside town to live with his father on the fringe of suburban Arizona. Both fever dream and quiet trip, Pavilion creates a deep and ethereal world, showing us an innocent way of life coming apart at the seams, constructing an indelible image of the enigma of youth.

The film stars musician Willis Earl Beal, who spends his time “surrounded by beautiful women, legendary musicians, a stone-cold-hustler, a righteous preacher, and a wolfpack of kids,” while working less on his music and more on the state of his soul.

A diverse group of full-of-attitude New Yorkers reveals how a hidden world of beautiful wild birds in the middle of Manhattan has upended and magically transformed their lives.

For the three-channel video Salidas y Entradas Exits and Entrances, artists Jessica Hankey and Erin Johnson worked with applied theatre facilitator Gina Sandi Diaz to offer performance workshops at public daytime senior centers managed by the city of El Paso’s Parks and Recreation Department. With the senior center as a stage, the elders who participated in the workshops enacted social, political and geographical imaginaries for the camera. Through improvisation and performance exercises drawn from the work of Viola Spolin and Augusto Boal, themes emerge: the dynamics of the U.S.- Mexico border, the desire to be seen, the role of musical storytelling as a soundtrack to daily life, power dynamics, and gender as performance. As the boundaries between rehearsal, improvisation, and performance blur, the ways in which individual lives and sociopolitical realities merge together are foregrounded.

In 2008, Glen Hansard and Marketa Irglova captivated audiences and earned two Academy Awards for their musical collaboration in the film Once. As their fictional romance blurred with reality, they fell in love, recorded an album, and embarked on a world tour.

Director Kelly Anderson's personal journey as a Brooklyn 'gentrifier' to understand the forces reshaping her neighborhood along lines of race and class. The film reframes the gentrification debate to expose the corporate actors and government policies driving displacement and neighborhood change.