Jean-Marie Rivière

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Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

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Housemaid Georgette loves to gossip and this causes major trouble to people around her.

A fictional division of the National Police is tasked with the investigation of supernatural cases

Géo Paquet, aka The Gorilla, breaks from jail. Now an escaped convict, the elite agent must infiltrate a dangerous gang working for a foreign embassy as their leader, a spy enjoying diplomatic immunity, can't be arrested by regular police.

The romance between a lion tamer and a liberated girl.

Struggling actor Simon witnesses a murder; he didn't see the killer, but that doesn't stop him from claiming that he did in order to get his name into the papers. Sure enough, the murderer targets him as his next victim. Our hero is temporarily rescued by Jeanne, a fellow aspiring actress who has always had a crush on him.

Rich industrialist Jacques Decret learns his wife Gloria is having an affair with a young actor. For revenge, he bombards her with anonymous letters, convincing her that her lover is the culprit while Gloria desperately seeks a way out.

On his journey through USA, Simon Templar, alias 'the Saint', landed in Palm Springs. After arrival, Simon is offered a job as a bodyguard of a millionaire who is threatened with death.

Strip-tease has a pleasing Paris setting and a convincing strip club atmosphere, where a roster of exotic dancers do their thing. Making the club atmosphere work is the animated Dany Saval, as a charming gossip and outspoken cheerleader for the art of the strip-tease. Berthe encourages Ariane to loosen up and enjoy what she's doing.

A trucker encounters a dead body on the road home. He reports the incident to the police, who suspect that Jean was responsible for the death, and his new truck is impounded. To make matters worse, the man's widow accuses him of having robbed her husband, and a gang of sinister crooks are also harassing him.

The directors of a company threatened by a railroad construction project in Africa decide to have the General Secretary of the Franco-African consortium killed. Géo Paquet, known as "Le Gorille", a DST spy, attempts to infiltrate the gang.

As the driver of a garbage truck in Arles, Marc-Antoine leads a quiet life with his wife, Mélanie, and their two children. When Amédée's "Fanny" is stolen from the bouliste club, Marc-Antoine offers to repaint another one. As soon as the work is finished, he becomes a local celebrity and, intoxicated by his new-found fame, leaves his family to go with Hélène, the young waitress, to his friend Septime's house in the Camargue to take up painting. Eventually, Marc-Antoine realizes that he is dissatisfied and that his success seems dishonest. He realizes that happiness awaits him with his wife, children and friends, and resumes his simple life without remorse.

With her parents away, Anne-Marie drops her studies to spend eight days in Saint-Tropez with her friend Jean-Paul. They are soon caught up in the Saint-Tropez whirlwind. Jean-Paul is seduced by a wealthy woman while Anne-Marie ends up alone with a young man she meets along the way.

A young priest works as a barman in a Pigalle cafe in Paris. He tries to prevent the women there to prostitute themselves....

One of the first (and perhaps therefore ambiguous) approaches to homosexuality in Spain at the time. The film narrates in cinematographic form the problem of the third sex, its justification and its existence within a real environment that is society itself. Two parallel worlds are shown to us; one, the hard and professional life of some artists who try to put on a 'music-hall' show. The other world is independent but it shows us what the life of an old glory was like, of an old man who was an artist in his time. Comparing one era with another is the intention of the film and ultimately its plot.

From transvestites to transformers, we will follow the trail that will lead us in different and famous Parisian music-halls, such as the mythical Alcazar of Paris, La Grande Eugène. Whether they are below or beyond their character, often these men who are looking for themselves look at life with the humor of despair. Why this need to "transform" themselves? Why is it always the men who cross-dress and not the women? Why did the public flock to these shows in the 1970s and 1980s? Interpretations of famous characters such as Diana Ross, Josephine Baker, Billie Holiday, the Peter Sisters, the Andrew Sisters, Zizi Jeanmaire, Judy Garland, Sarah Bernhardt, among others, contribute to making this musical document an essential testimony of this era.