Sotha

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Themroc, a bachelor house painter living at home with his mother, leads a sad and colorless life. One day, after a run-in with his boss, he rebels. He wrecks his apartment, rejects every facet of bourgeois life, and begins acting like an urban, modern-day Neanderthal.

Thomas Crosky, known as Cross, a lonely policeman, learns that his wife, daughter and sister-in-law have been kidnapped by a criminal who has escaped from a psychiatric hospital.

A hit man fails his contracts because of a young runner.

Jérémie and Bild, two riders, arrive in a community that lives along the river Fango. It was Mathilde who founded her, a woman who left husband and baby to flee urban society. All live in happiness away from the world, without thinking either of work or money. Bild believes he is the child abandoned by Mathilde, while Jeremiah is attracted to his daughter, Maurine. When Bild dies, Jeremiah learns that he is the son of Matilda and that consequently Maurine is his sister. He takes to flight ...

In Saint-Rupert, Basse Lozère, the son of a family of garbage collectors, Pissenlit, who has played the mentally deficient since childhood so as not to be forced to go to school, is in fact a prodigy in mathematics: by reading a book found in a trash can, he revolutionizes a mathematical theory. Meanwhile, his father is making a computer from objects recovered from garbage cans, and capable of composing musical "hits" that may make him a star.

Jean-Claude is a student, with Didier, at the Ecole des Hautes Etudes Generales where Violaine, Didier's sister, is a professor of sociology. These young people belong to this upper-class, snobbish bourgeoisie.

After his betrayal, Judas did not go hang himself, but instead embarked on a 2000-year wandering, carrying the weight of infamy (his betrayal of Jesus), before reappearing in the midst of the Algerian desert.

Three couples—each made up of a man named Roger and a woman named Jeanne—are close friends who plan a convivial dinner gathering. In a humorous twist, the wives unexpectedly fail to appear, leaving the three Rogers to navigate the evening on their own. As they share a meal, the absence of their partners sparks a series of reflective and witty conversations where memories, philosophies on love, life, and death, and existential musings take center stage, transforming an ordinary night into an intimate exploration of friendship and the human condition.

This documentary looks back on a career of a woman who, very early on, refused to accept the roles assigned to her. In the 1980s, while others were trying to please, she wrote "Les hommes préfèrent les grosses" (Men Prefer Fat Women), a manifesto ahead of its time, funny, feminist, and blunt. Later, with "Gazon maudit" (Damned Grass), she tackled homosexuality with a freedom that is still shocking today.

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