Acting
A teenage girl is kidnapped by 3 guys and taken to an abandoned house in the country, where she is made to write her own ransom letter. She soon discovers that one of her captors is infatuated with her and she will use those feelings to stay alive.
Sequel to "La Orca" which follows the life of the kidnapped girl after she returns home to her boyfriend and family. After her kidnap ordeal Alice tries to return to her normal life, but her memories still haunt her and her way to see the world has been changed forever.
A journalist preparing a story on extremist youth falls in love with a young radical who fears being killed by his companions when he is unable to commit a political assassination.
Verdi's opera performed by the Metropolitan Opera Orchestra and Chorus, conducted by James Levine.
La Fanciulla del West, Puccini's penultimate opera is based on a play by David Belasco set at the height of the notorious California gold rush. The composer took three years to complete the work, which, for him, marked a new stylish departure. With more modern harmonic combinations and local melodies, Puccini pieced together a far larger canvas than anything he had tackled before. In this recording, Piero Faggioni's highly detailed staging is matched by Ken Adam's superbly atmospheric sets. Carol Neblett sings the role of Minnie "The Girl of the Gold West," Placido Domingo is as ignitable as ever in the role of Dick Johnson, alias the bandit, Ramirez, and Silvano Carroli sings the sinister sheriff, Jack Rance. Conducted by Nello Santi.
Live performance at the Metropolitan Opera, 1984. James Levine conducting Metropolitan Opera Orchestra and Chorus. Stage direction by Piero Faggioni.
Eva-Maria Westbroek stars in the title role of Zandonai’s sensuous drama, opposite Marcello Giordani as Paolo. Piero Faggioni’s lush production provides the perfect setting for one of the all-time great tales of tragic passion, adapted from an episode in Dante’s Inferno. Mark Delavan co-stars as Giovanni, the husband and brother of the star-crossed lovers, whose jealousy leads him to kill them both. Robert Brubaker is Malatestino and Marco Armiliato conducts.
A boy of fourteen enters to work as messenger boy in a flower shop. His first task is to bring a bouquet for a bride but arrives late and is forced to go to the altar. His second job is to bring a funeral wreath but uses it to save a man who is drowning in the river. Naturally, he is late again. In the afternoon, he carries a basket of flowers to the TV a Spanish movie star is performing. But he is wrong and takes another funeral wreath that is delivered to star in a big stage. Due to customer complaints he is fired and the store puts back the sign "boy is needed."
Carmen, presented in a production at the French Opera House.
The narrative concerns the barbaric exploits of Attila The Hun and yet none of the characters ever leave the remote seaside stretch of land on which the film is set or do much of anything – with the ensuing moralizing interrupted only by the occasional (and equally obscure) music-infused rites.
Hoping to shake up the complacent Italian Communist Party, a group of leftist radicals sends an incendiary letter to a major evening newspaper declaring their intention to volunteer to fight American troops in Vietnam as a political statement against the war.
