Roger Cardinal

Julia Kerbridge is working hard to get her doctorate. Suddenly, she finds herself the guardian of her young niece, Amanda, after the 7-year-old witnesses her parents' murder and is rendered mute. Julia soon discovers that her dead sister and brother-in-law may have held a secret life. Now, she must risk everything as the killers are still hunting Amanda for her parents' secret.

Malarek is a film directed by Roger Cardinal in 1989. Ex-juvenile offender Victor Malarek catches a break when he's hired as a cub reporter for the Montreal Star. After witnessing a cop murder a street kid, Malarek dedicates himself to exposing corruption in the social welfare system.

What happens when you don't remember being on vacation? Neurological medicine resident Elizabeth develops a drug and, unknowingly, ends up going from researcher to guinea pig.

After a botched suicide attempt Sam Hoffman finds herself trapped in an evil insane asylum

Three ski instructors are busier in accumulating love than in giving lessons so they spend more time in bed than on the slopes.

The rich Westerner embarks on a journey to find his daughter who vanished in Montreal and Zurich. The disappearance is linked to a sect that selects its followers for its heritage, education and physical beauty.

The story of René Lévesque, a Quebec premier.

The appearance is a satirical comedy that mocks the small Quebec people and its excessive religiosity.

A live-event TV special exploring the reality and legend surrounding the story of Dracula. Ancient European castles associated with vampire legends are visited; vampire experts are interviewed; and people claiming to be vampires are featured.

The original 54-minute documentary, as broadcast by Channel Four on 20 June 1984, after which the animated links by the Quay Brothers were recompiled as a separate short.

The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.