
Manu Dibango
Sound
Biography
Emmanuel N'Djoké "Manu" Dibango (12 December 1933 – 24 March 2020) was a Cameroonian musician and songwriter who played saxophone and vibraphone. He developed a musical style fusing jazz, funk, and traditional Cameroonian music. His father was a member of the Yabassi ethnic group, while his mother was a Duala. He was best known for his 1972 single "Soul Makossa". He died from COVID-19 on 24 March 2020. Emmanuel "Manu" Dibango was born in Douala, Cameroon in 1933. His father, Michel Manfred N'Djoké Dibango, was a civil servant. Son of a farmer, he met his wife travelling by pirogue to her residence, Douala. Emmanuel's mother was a fashion designer, running her own small business. Both her ethnic group, the Douala, and his, the Yabassi, viewed this union of different ethnic groups with some disdain. Dibango had only a stepbrother from his father's previous marriage, who was four years older than him. In Cameroon, one's ethnicity is dictated by one's father, though Dibango wrote in his autobiography, Three Kilos of Coffee, that he had "never been able to identify completely with either of [his] parents". Dibango's uncle was the leader of his extended family. Upon his death, Dibango's father refused to take over, as he never fully initiated his son into the Yabassi's customs. Throughout his childhood, Dibango slowly forgot the Yabassi language in favour of the Douala. However, his family did live in the Yabassi encampment on the Yabassi plateau, close to the Wouri River in central Douala. While a child, Dibango attended Protestant church every night for religious education, or nkouaida. He enjoyed studying music there, and reportedly was a fast learner. In 1941, after being educated at his village school, Dibango was accepted into a colonial school, near his home, where he learned French. He admired the teacher, whom he described as "an extraordinary draftsman and painter". In 1944, French president Charles de Gaulle chose this school to perform the welcoming ceremonies upon his arrival in Cameroon. In 1949, at age 15, Dibango was sent to college in Saint-Calais, France. After that he attended the lycée de Chartres where he learned the piano. He was a member of the seminal Congolese rumba group African Jazz and has collaborated with many other musicians, including Fania All Stars, Fela Kuti, Herbie Hancock, Bill Laswell, Bernie Worrell, Ladysmith Black Mambazo, King Sunny Adé, Don Cherry, and Sly and Robbie. He achieved a considerable following in the UK with a disco hit called "Big Blow", originally released in 1976 and re-mixed as a 12″ single in 1978 on Island Records. In 1998, he recorded the album CubAfrica with Cuban artist Eliades Ochoa. At the 16th Annual Grammy Awards in 1974, he was nominated in the categories Best R&B Instrumental Performance and Best Instrumental Composition for "Soul Makossa". The lyrics of the song "Soul Makossa" on the record of the same name contain the word "makossa", which refers to a style of Cameroonian urban music and means "(I) dance" in Dibango's native tongue, the Cameroonian language Duala. The song has influenced popular music hits, including Kool and the Gang's "Jungle Boogie". Source: Article "Manu Dibango" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known For

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Champs-Elysées

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Vivement dimanche

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.
Le Grand Échiquier

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Victoires de la musique

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Téléthon

An anthology of short films inspired by the events of the September 11 World Trade Center attacks.
September 11

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Ambitions

Kirikou's Grandfather says that the story of Kirikou and The Witch was too short, so he proceeds to explain more about Kirikou's accomplishments. We find out how little boy became a gardener, a detective, a maker of pottery, a merchant, a traveler and a doctor.
Kirikou and the Wild Beasts

A young hustler tries to get drug money by selling a boy to a middle-aged man; his plans are disrupted when the kid dies.
Forty Deuce

When a man's best friend is shot in cold blood by two corrupt policemen, he must track down the only eyewitnesses, who have deported to Mali.
Black Light

Soul Power is a 2008 documentary film about the Zaire 74 music festival in Kinshasa which accompanied the Rumble in the Jungle heavyweight boxing championship match between Muhammad Ali and George Foreman in October 1974. The film was made from archival footage; other footage shot at the time focusing on the fight was edited to form the film When We Were Kings.
Soul Power

A warm summer in Montreal. Two black men, Man and Bouba, share an apartment. Man is an ambitious author, writing on The Great Novel. Bouba is a lazy amateur philosopher who quotes the Koran. Man's habit of picking up young white women makes many young white men jealous...
How to Make Love to a Negro Without Getting Tired

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Manu Dibango fête ses 80 ans à l'Olympia de Paris

How African artists have spread African culture all over the world, especially music, since the harsh years of decolonization, trying to offer a nicer portrait of this amazing continent, historically known for tragic subjects, such as slavery, famine, war and political chaos.
Africa Rising

The Ceddo people try to preserve their traditional African culture against the onslaught of Islam, Christianity, and the slave trade. When King Demba War sides with the Muslims, the Ceddo kidnap his daughter, Princess Dior Yacine, to protest their forcible conversion to Islam.
Ceddo

The Fania All Stars perform for 44,000 fans at Yankee stadium in New York. Besides concert footage, there's also included a history of Salsa, and vintage film clips of Hollywood's portrayal of Latinos in movies during the 1930's and 40's.
Salsa

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Thomas Ngijol - 2

A film about the difficulty for even the most well-intentioned person to know and respect another culture. In this case, the problem is so acute that there is even heated debate over what to call that 'other.' The subtitles in the film use the familiar word 'pygmies,' a relatively pejorative European term; the Bantu or villagers' expression for the same group, Babingas, carries similar negative connotations. These highly specialized, tropical rainforest hunter-gatherers should perhaps be called by their own ethnonym, Aka, MoAka (sing.) and BaAka (pl.)
The Silence of the Forest

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Nos plus belles années 80 : La Compil !

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