Claude Nedjar

This loosely plotted coming-of-age tale follows the life of 15-year-old Laurent Chevalier as he stumbles his way over the burgeoning swell of adolescence in 1950s France. After having his first sexual experience with a prostitute and dodging the lips of a priest, Chevalier contracts a case of scarlet fever. When the fever leaves him with a heart murmur, Chevalier is placed in a sanatorium, along with his over-attentive and adulterous mother.

Louis Malle called his gorgeous and groundbreaking Phantom India the most personal film of his career. And this extraordinary journey to India, originally shown as a miniseries on European television, is infused with his sense of discovery, as well as occasional outrage, intrigue, and joy.

It all begins when Lucien Lachenay (André Dussollier), famous builder of the moving sidewalk for the 1900 Universal Exhibition, saves the life of the beautiful Alice Avellano (Kristin Scott Thomas), whom her husband, who has gone mad, was trying to strangle. Lucien Lachenay is himself threatened by a group of anarchists who have instructed a young worker, Alphonse (Benno Fürmann), to suppress him. Alphonse messes up the job, but Lucien, impressed by his inexhaustible energy and thirst for knowledge, agrees to be his mentor instead of handing him over to the police. In the years that follow, Lucien, Alphonse, Alice and the young and attractive Laure (Isabelle Carré) will face the game of rivalry, betrayal and reconciliation.

There is a global civil war between men and women. A teenage girl tries to escape this reality and arrives at a hidden place where a strange unicorn lives with a family: sister, brother, many children and an old, bedridden woman who stays in contact with the world through her radio.

In Louis Malle's lauded drama, Lucien Lacombe is a young man living in rural France during World War II who seeks to join the French Resistance. When he is rejected due to his youth, the resentful Lucien allies himself with the Nazis and joins the Gallic arm of their Gestapo. Lucien grows to enjoy the power that comes with his position, but his life is complicated when he falls for France Horn, a beautiful young Jewish woman.

Based on Winsor McCay's comic strip, a little boy embarks on a dream-like adventure. Also known as Dream One.

Jo, a talented young art student from Quebec, attracts the attention of a mysterious European art dealer who buys her drawings. When she later learns that the works are being sold as newly discovered drawings by Vincent van Gogh, she sets out to uncover the truth—traveling first to Amsterdam and ultimately to 19th-century Arles to confront the painter himself.

Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.

In southern France, in a quiet little town, the mayor, who also owns a castle with some cattle, is in the wine cellar with some other people: the pharmacist, the veterinary, and some of his employees. As they are drinking wine, they hear a terrible noise and the heat's getting higher and higher. They don't realize what's happening: when they come out of the cellar, they realize that everything has burned, and all the buildings are destroyed...

Reports of a weeping Madonna in Italy reach Las Vegas, where blackjack dealer Maggie has just learnt she has only weeks to live. With a massive leap of faith she convinces herself that seeing the Madonna with her own eyes could lead to her salvation, and travels to Europe to find it. Hitching through Italy, she meets pianist Mike, who is also en route to what he believes could be a life-changing event - a performance at the Barbarina concert in Naples.

A 4-year-old child is the element from and around which the action develops, and brings sentiments and emotions to light.

This almost 8 hour humongous 1973 documentary by two of the filmmakers who made The Sorrow and the Pity recounts fifty years of the history of France from the 1920s to 1972. It is particularly thorough in documenting the significance and rise to power of Charles De Gaulle. The film's most valuable contributions are its interviews with all sorts of people who lived through this period of history, from Marshall Petain's lawyer (Petain headed the Vichy government of occupied France) to resistance figures, and Frenchmen who fought on the side of the Nazis in Russia.

At the end of the nineteenth century, Italian anarchists, ten men, one woman, libertarian, collectivist emigrate to Brazil to start a leaderless community, without hierarchy, without a boss without police, but not without conflict nor passion.

Filmed clandestinely in Czechoslovakia on 16mm. It's one of the films Godard made with the Groupe Dziga Vertov - a Marxist film about the political situation after the '68 revolution.

A modern-day Socrates leaves behind his life as a philosopher to live off the land. When a police inspector is assigned to follow the man and question his motives, the cop gets caught up in the charming philosophy of the man who has left his material possessions behind. He encounters a pretty young woman and her nihilistic boyfriend, the latter who makes a living with his psychedelic side shows. The boyfriend gets the newspapers to print the philosopher's thoughts, prompting him to acquire a bevy of believers. There is some nudity in this comical thought-provoking story, but the main focus remains the words of the man who left behind creature comforts to find himself.

After his twin sister is killed in an accident, her distraught brother jams her corpse in a cello case and hits the road.

No description available.

Ben (Françoise Lebrun) is a woman who never gets to do what she really wants to do and is the victim of everybody and everything. Benedict is her imaginary creation: the girl who would respond with strength and mastery to situations she can only submit to. She is married to a cad who says he only married her because she was pregnant, and now he wants his freedom. Her real love is a fellow medical student, who shows some interest in her. Nonetheless, she remains faithful to her unenthusiastic husband, until she becomes pregnant again. At this point, she begins to act more like the Benedict of her dreams and less like the "Ben" she has lived as until now.