Joana Ferreira
Production
Biography
Joana Ferreira was born in Lisbon in 1973. She is managing director and producer at C.R.I.M. She studied Anthropology at Lisbon's Universidade Nova. She has been working in film production of prestigious Portuguese fiction feature films since 1998. She developed and financed cinema projects as a production manager. Among the directors with whom she has worked are Manoel de Oliveira, João César Monteiro, João Canijo, João Botelho, Raoul Ruiz, Teresa Villaverde, Paulo Rocha, Catarina Ruivo, Miguel Gomes and Marco Martins. Since 2006 she has been working as a full-time producer and managing director at C.R.I.M. with a special focus on fiction features.
Known For

A nun is called upon to adopt her 15-year-old nephew, and as a consequence religious, familial and sensual love become entangled.
The Last Bath

Jorge de Sena was forced to leave his country. First he moved to Brazil, and later to the USA. He never returned to Portugal. During his 20-year-long exile, he kept an epistolary correspondence with Sophia de Mello Breyner Andresen. These letters are a testimony of the profound friendship between the two poets, letters of longing and of desire to “fill years of distance with hours of conversation”. Through excerpts and verses, a dialog is established, revealing their divergent opinions but mostly their strong bond, and their efforts to preserve it until their last breaths.
Correspondences

Algarve, late 90s. Following the death of her grandmother, Milene - a strong young woman full of life despite a slight mental handicap - divides her life between her family of notables and a Cape Verdean family that keeps her going, whom she met when her grandmother died. The wind that whistles in the cranes plunges us into the world of two families against the backdrop of Portugal's recent past.
The Fortunate Ones

At 30, Jiro embarked on a year-long trip taking in the Soviet Union, North Africa, Europe, and the United States. Nearly half a century later, his daughter makes use of various memorabilia to take a step back in time and explore how such adventures have shaped the man’s take on the modern world.
Around the World When You Were My Age

Roberto is one of those men to whom simulation has become the greatest art. He is an unmoved, inscrutable, mysterious man. But the truth is that Robert feels an intimate, deep tedium. The boredom of those who have already exhausted all the pleasures of life. The only thing still surprising him is the fact that nothing surprises him anymore. One evening he has an overwhelming encounter with a woman. For his own bewilderment, he discovers the sublime horrors in which the woman has sank.
A Woman's Revenge

Cinema and affections from life in images and what goes on outside the frame. 'Snapshots' of shootings and the present-day memory of directors, actors and technicians.
Acts of Cinema

We went on discovering the story of princess Wakasa who fall in love with Fernão Mendes Pinto and was exchanged for a gun's secret.
Wakasa

Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.
What Now? Remind Me

Marta and Jorge have been a couple for seven years. All their friends think they are living a perfect romance. Too perfect, perhaps, for the despair of all: Bruno, who is much younger than Marta but madly in love with her; Lígia, who is Bruno's sister and Marta's best friend and would love to see her brother happy; Carlos, Jorge's friend, who maintains a superficial romance with Lígia while secretly in love with Marta; and for Jorge himself, who is afraid this idyllic romance will imprison him and, convinced that his love and his lover's desire to marry will take away his freedom, decides to show her the way into Carlos arms.
Love Love

A man, a child, two wars, a river, a tree. A man and a child meet under a tree on a river bank, sharing the same memory and a secret. They find in each other the serenity, the silence and the time they lost in the flowing water of the river.
The Tree

In Sarajevo, in a cinema’s projection booth, lives Sena; a woman who in daily solitude repeats the projection of the few Yugoslavian films of which there are copies. Through a combination of silence, the everyday gestures of this woman and the films that are projected from her living room, comes a film built like a day in Sena’s life. Through the films that Sena projects, we are taken on a journey in both collective and personal memory. The film offers a portrait of intimacy crossed with a history witnessed by cinema; a history which Sena has conserved.
How I Fell in Love with Eva Ras

An artistic vision of a phenomenon in Spanish history, with repercussions in Europe and the West: the exile of 2,895 republican children in the Soviet Union due to the Spanish Civil War; the German invasion of the USSR in World War II; the 19 years spent in the USSR until his return to Spain (1937-1956). It is also autobiographical in nature, because this author revisits the memories of her mother and aunt, who were part of this group of children.
Where Do You Call Home?

Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.
Contágio

An elderly woman and a hormone-charged teenager arrive to a beach hut where, during her brief moments of clarity, she will persuade him to kill her.
Versailles

After the Carnation Revolution the peasants in the Alentejo region occupied the huge proprieties where they were once submitted to the power of their masters. The protagonists of this film, resistants of this struggle, tell their story to the youngsters of today, in their own words.
Barbs, Wastelands

Adaptation by the director Inês Oliveira from the traditional Portuguese tale «O Sapo e a Rapariga». The laundry room is closed and a young woman (Rita Cabaço) has to learn how to wash clothes by hand with the wise Deolinda (Isabel Ruth), who tells her a strange story of enchantment.
The Frog and the Girl

Bound by a silent pact, five students make a secret trip to the country for what seems to be an initiation ceremony. In threatening landscapes and abandoned ruins, they submit to the strange rituals of their leader, the Dux.
Encontro Silencioso

Teresa finds out in Africa that her husband, Xavier, was lost in child prostitution. She flees to South Africa where she meets the maid's daughter, prostituted. It ends up getting the Mozambican police to save her and testify against the network of child prostitution. She becomes a star. The rescued girl has the media attention and also becomes a star.
Quero Ser Uma Estrela

No description available.
Dois e Um Gato

Side Effects is the story of a woman who's not afraid to believe that happiness is not only possible but the only truth to be achieved. A woman who won't give up believing in people. A woman who will fight against all adversities in order to let others not to give up a life worth living. Nowadays, the desire for happiness is a real heroic act.