Christopher Ahrens

Titus Andronicus returns from the wars and sees his sons and daughters taken from him, one by one. Shakespeare's goriest and earliest tragedy.

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In a polluted future Venice researchers work to improve the situation. One day, unknown forces start killing them. A team of soldiers and a couple of civilians is sent to investigate. Soon, they encounter strange murderous creatures.

A woman's ex-husband, who is the son of an Arab chieftain, kidnaps their teenage son and brings him back to Morocco, where the boy is to be made the leader of the tribe. The child's mother hires a mercenary to get her son and bring him back to her.

A mother hires an ex-C.I.A. man to find and bring back her son, who has been abducted by his father and taken to Morocco, where his grandfather, the ruler of a desert tribe, wants him to become his successor.

Hot aerial sequences accelerate the excitement in "Blue Tornado." Air Force fighter pilots on a test mission are blinded by a dazzling light on a mountainside: Philip (Ted McGinley) crashes and disappears. Flight leader Alex (Dirk Benedict) is debriefed but his inquiry is shelved. More jets mysteriously disappear in the sequestered area. Alex's covert investigation, with the assistance of the beautiful NATO researcher Isabella (Patsy Kensit) is officially subverted by a Committee of Inquiry. So on his own reconnaissance, the defiant Alex hazards a final desperate search for his missing friend, discovering the secrets shrouded on the forbidden mountain!

Two Vietnam vets are hired to infiltrate a religious sect and steal an ancient relic, a magic ivory tablet. Mercenaries Sugar and Mark enter a dangerous jungle full of cannibalistic natives in an unnamed Asian country and retrieve an ancient stone relic being held by a hostile religious sect. The two accept the job but something about the gig just isn't sitting right and their client may be withholding information vital to the mission and their survival.

Adapted, in our day, from the Isidore Ducasse’s (called Lautréamont) book, Les Chants de Maldoror (The Maldodor's Chants). The film is a cinematic language essay which "tells", in a non-linear narrative, the activity of a consciousness that confronts, relentlessly, with its brightest part as the most obscure.