Stewart McAllister

In 1945, Allied troops invaded Germany and liberated Nazi death camps. They found unspeakable horrors which still haunt the world’s conscience. A film was made by British and American film crews who were with the troops liberating the camps. It was directed in part by Alfred Hitchcock and was broadcast for the first time in its entirety on PBS FRONTLINE in 1985.

A narrator recounts the state of Great Britain near the end of WWII via a visual diary for the titular baby boy born in September 1944.

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).

Poetry by Rudyard Kipling, John Milton, and William Blake, and excerpts from speeches by Abraham Lincoln and Winston Churchill, all read by Laurence Olivier, illuminate documentary footage of England during its defense against the Nazi blitz in World War II. This short film serves as both propaganda and as a rallying cry to the British people.

The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.

A tribute to the courage and resiliency of Britons during the darkest days of the London Blitz.

In preparation for the celebration of the 1951 Festival of Britain, this short film was released to assure British citizens of their nation's place in the world and of their own places within that nation. Illustrative scenes of farming, science, political, and social life are juxtaposed to present a familiar and reassuring image of Britain.

British film written and directed by Humphrey Jennings, filmed in documentary style showing the lives of firefighters through the Blitz in World War II.

A depiction of life in wartime Britain during the Second World War. Director Humphrey Jennings visits many aspects of civilian life and of the turmoil and privation caused by the war, all without narration.

Southampton, a deep-water port with four tides a day, is an ocean terminal for the world's largest liners. Their coming and going, and the people who work with them are the subject of this film as they reflect in their personal lives some of the drama and romance of its situation. Among them are a tug skipper and his crew, a stewardess on a Cape ship, an assistant wharfinger in charge of handling baggage and freight, a taxi driver, and a pilot taking a great liner down Southampton water at night.

A short documentary.

Humphrey Jennings’s Crown Film Unit short on the summer 1944 V-1 “doodlebug” campaign, tracking a salvo from the coast toward London as it runs Britain’s layered defenses—coastal AA guns, RAF fighters, and barrage balloons—capturing both interception and impact in a stark report of terror and resilience.

The work of a team of men who tackle a special British Road Services job in the treacherous terrain of the Scottish Highlands.

'Water', says the transport man, 'is lovely stuff' - and the development plan for British Waterways is based on this belief. The film shows parts of the plan in action, then goes to the N.E. Division, where a skipper is taking 110 tons of newsprint from Hull to Nottingham. 'As a drink', says the transport man, 'you may not think much of it. But used like this...'

Drama-documentary, reconstructing a real incident in which a trawler got into difficulties in a North Sea storm. Released 7th March 1938.

A documentary examining the modernization of Britain’s railways through large-scale engineering and infrastructure renewal.

In the Hull Docks, the steamer S.S. Bravo arrives from Gothenburg with cargo.

This short, evocative account of the poet's life is set among contemporary scenes of the people of south-west Scotland as they grow from children to manhood. A representative selection of his songs takes on fresh significance when heard against a background of the people and the countryside he knew and loved. The film's score is by Cedric Thorpe Davie, and the songs are sung by the Saltire Singers.

In the cities of Britain we can travel in time as well as space. This film chooses the England of Hogarth, Gainsborough, Robert Adam and Captain Cook. As the camera moves across outstanding monuments of their work and relics of their achievements from Syon House to Greenwich, members of the Old Vic Company speak appropriate passages from the literature of the mid-eighteenth century. The musical score was specially composed by the late Sir Arnold Bax.

The people of the Scottish Highlands live in small communities set in landscapes of unsurpassed beauty.