Connie Chan Po-Chu

Chan sisters Chan Meiling and Chan Meiyu are respected high class, women in Hong Kong's more upscale neighborhoods. However, they both share an alter-ego called the Black Rose, a notorious cat burglar who dresses in a black leotard, and steals from the rich to give to the poor - taking on a Robin Hood-style mission. Even with their antihero status, the Black Rose has created uneasiness and tension in the high society; therefore, an insurance detective investigates the crimes and tries to unmask the woman behind the cat mask.

A 1967 Cantonese language action film directed by Cheung Wai-Gwong, starring Connie Chan, Adam Cheng and Liu Chia-Liang. Ming-Wai & Ming-Sing, a brother and sister (dual roles played by Connie Chan) who must go undercover in a gang to rescue their uncle.

When a family is bankrupted by a counterfeiter named Gold Fist, the daughter (played by Connie Chan) vows to get revenge. As she tracks down the villains, she comes across a drifter who is escorting a young man to his father, who is being kept in captivity by a gang of thieves. When it is discovered that the captive father and Gold Fist are the same person, loyalty and friendship are put to the test.

Hong Kong comedy starring Connie Chan Po-chu

Revisit 100 years of Chinese cinema through the RTHK TV program A Century of Light and Shadow. Aired in 2005, this interesting and informative documentary traces the development of the Chinese film industry from the pioneering years to contemporary times. From the volley between Mandarin and Cantonese films to the rise of the New Wave, this program touches on all the major trends and developments that have helped define Chinese cinema and explores different genres and representative figures and films. From actors to directors, over 200 film industry names, including Jackie Chan, John Woo, Sammo Hung, Connie Chan, Andrew Lau, Peter Chan, and Lau Ching Wan, appear in the program, bringing their intimate knowledge of the industry and providing insight about what lies ahead for Chinese cinema.

A loving couple are killed after drawing a map of the coveted Moslem Sacred Fire Decrees with their blood under coercion. The map is split into eight parts, placed separately in the custody of the eight leading martial sects. The children of the couple are adopted by Elderly Spirit from Hades and Nun Silence of Emei respectively. Growing up, the son Wan Tin-sau inherits from Hades all the skills he will need to know to take on the nun and her protegee in a duel 18 years later...

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This is a Cantonese musical from director Wong Yiu

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In the second part and conclusion to the story, the eight martial clans discover that there are two Sacred Fire weapons, Yin and Yang, and the siblings must uncover the facts of their parent's deaths in order to unite, wield the weapons, and defeat Nun Silence and her evil schemes.

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hong kong film

In 1966, Connie Chan Po-chu and Josephine Siao Fong-fong starred in multiple contemporary films, cementing their onscreen persona as virtuous young women while becoming the hottest youth idols of their time. Colourful Youth remains the only contemporary film to feature both of them. Filmed in Eastmancolor, the song-and-dance spectacle keeps its fingers on the pulse of its era and presents the vigour of the modern times.

He steals from the rich and gives to the poor! Like Robin Hood, the title hero of The Lizard is a philanthropic thief, except the Lizard makes his rounds in 1930s Shanghai. Corrupt police chief Chen Can (Law Lit) is assigned to bring down the Lizard to appease the sinister Japanese forces, but the Lizard constantly eludes his grasp. Little does Chen Can know that the wily thief actually works for him! The Lizard's true identity is the mousy Cheng Long (Ngok Wah), who dons a mask and takes to the streets to spread his righteous message.

The bodies of young girls are repeatedly found in the city, leading Detective Li to suspect a psychopath as the killer. Li's sister, believing the nightclub manager, Mr. Kim, to be suspicious, launches an investigation, but she and Li's girlfriend, Bixi, disappear one after the other. Following Mr. Kim's trail, Li discovers that he is using women's fighting as a lure to sell hallucinogenic drugs. Li rescues Bixi and her sister, and brings the criminals to justice.

Red Lamp Shaded in Blood is a decent Martial World film of the type that Chu Yuan made famous for Shaw Brothers. These are often based on the works of Jin Yong and Ku Long. Red Lamp features all the requisite tropes of the genre: various sects of the Martial World, an evil sect scheming to rule the Martial World, an outcast orphan sent on a quest, mystically acquired Martial Arts, a mysterious hermit, a mysterious killer and , of course, star crossed lovers.

The story is about how the odd-demon create his “mutilation-poison leg”. At the same time his disciple Dragon Girl realized his cruel means to all men including herself. Despairing Dragon Girl finally met her bosom friend Yuan Tung and her benefactor Long & Qiu and pull together to wipe out her evil master.

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Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes. ‘Movie-fan princess' Connie Chan Po-chu not only sings Cantonese song and huangmei tone solos in the film, she also wows the audience by taking up the doumadanrole for the first time as the Tang dynasty female general Fan Lei-fa, showing off her superb operatic martial skills, together with Shum Chi-wah, inherited from Peking opera master Fen Ju Hua. Yu Kai's weaponry prowess and renowned female comedian Tam Lan-hing cross-dressing as a male general are also brilliant in this gem.

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