Jan Erik Düring

An American bomber is shot down on the Norwegian coast during World War II. The airmen bail out and land at different locations. In spite of the German search for them, the Norwegian resistance picks them up and hides them in the attic of the local church, a center of operations. Things become tense, however, when the hideout is spotted by a notorious collaborator, and soon the protagonist, Hans, has to get the airmen to Sweden.

The Swedish blacksmith Jörund, who left Sweden innocently suspected of murder, arrives at a Norwegian farm and falls in love with the farmer Marja.

The film is set in the Norwegian high mountains in the 1820s, where mysterious natural phenomena play an important part in the plot. Young Knut Formo has gone to the mountains to hunt the great white reindeer. He spends five days hunting the buck, but never manages to catch it. We experience the tension as the rifle is aimed at the buck and his fingers curl around the trigger, and we experience the disappointment when the buck runs away after the shot. Knut gradually becomes exhausted. He begins to mix dreams and reality as his strength ebbs away. The fantasy world becomes a natural part of life for a person closely connected to a powerful nature. Based on an original screenplay by Erik Løchen.

A love triangle of two men who desire the same woman. We follow them through three days of grouse hunting, a chase that ends violently. Or does it?

Bør Børson Jr. will become a great man quickly, but will be ridiculed when lower class in Olderdalen crashes with modern Norway.

Ambros Fornes owns two large farms and stunning four horses. These horses comes to fill his life because his young beautiful wife, Lisle, does not manage to love him as he loves her.

Together with colleagues Jan goes to a seminar on the Canary Islands. Already on the first day we starts an erotic relation to a stewardess, and during a swim with his boss his life changes dramatically.

Knutsen & Ludvigsen have taken up residence in a tunnel in lack of a more suitable place to stay. But this is against the rules and norms of society. Thus, the authorities soon make their presence to demand that they show respect for the law. Knutsen & Ludvigsen are banned from the tunnel and they end up in a struggle for existence.

Erik Dahl escapes from prison where he is serving a sentence for smuggling. He seeks out his family, but the police have already been there, and he will have to flee. Erik alters their appearance and start a new life as fishmonger in a small town, but he plans to leave the country...

A woman runs over a dog, and the accident is investigated by the police. She meets a man in a gallery, and they begin a relationship. But aside from this straightforward storyline, nothing about Fabel is simple. It is an absurd film, inspired by Eugène Ionesco and Samuel Beckett’s theatre of the absurd.

Per has won the 50 kilometer in Holmenkollen, but which village is he from, Alvdal or Tynset?

Set in Rodeløkka of Kristiania eastside around the year 1900 and is a rough sketch of how it was to be young and unmarried working girl at the time.

The alcoholic Oslo journalist Erik Mogensen goes to Copenhagen to make a story about youth and drugs. Inevitably this goes wrong for Erik.

For many years, Terje Svahberg saved up to buy a cabin. But then something happened, suddenly and unexpectedly. He became obsessed with boats. And before anyone really knew what was happening, he had made transactions that made him the proud owner of a luxury boat...and everything that goes with it.

A family on an island in Southern Norway rescues a carrier pigeon. When the father and son later are lost at sea, the bird comes in handy.

About Oslo’s transformation from a small-town idyll into a modern and bustling metropolis in the early 1950s. The film presents numerous scenes from both the old and the new city center of Oslo. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

A classic Norwegian comedy about achieving ones own first flat...

The late 19th century Christiania (Oslo) could offer a rich variety of entertainment. There were several variety theatres and brothels, and poor women could earn money based on their looks. The beautiful variety actress Lucie has met a lawyer by the name Gerner, a refined gentleman. Flowers and encounters outside the theatre develops into an erotic relationship. Lucie knows how to play on Gerner's jealousy and masculine pride, and finally she reaches her goal: becoming Mrs Gerner. For Lucie this means climbing the social ladder, but she'll soon notice the problems. Living in the upperclass society keeps reminding her of her poor background and her lack of etiquette. All this affects Gerner in a negative way, who is plagued by jealousy regarding people from Lucie's past. The relationship between the married couple keeps getting worse.

A unique insight in Oslo's school system, post war. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

An educational film about how to behave at pedestrian crossings. Featuring Leif Juster. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.