Slamet Rahardjo

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Darso, a clown busker, lost his wife and unborn child to thug violence. In grief, he brought his wife's body back to his village. However, the village is in chaos due to a conflict with an evil developer and a curse ritual that summons dark forces. Darso is also caught up in the evil forces connected to the person he loves most.

When a violent act kills her parents, Sita vows to debunk the idea of supernatural torment after death — a fixation that leads her on a dark quest.

Two siblings, Ali and Zahra, who agreed to keep the matter of Zahra's missing shoes a secret, which Ali had brought in for repair. To solve the problem, they decided to share Ali's worn-out shoes. Zahra would wear them in the morning during her school schedule, and after returning home, she would run as fast as she could so Ali could wear them to school in the afternoon. New hope emerged when Ali learned of an inter-school running competition with a prize of a pair of shoes for the third-place winner. Ali signed up, determined to win the competition so he could buy Zahra new shoes.

Berlian and her teenage daughter Daya are on the run from political violence. Constantly daydreaming that her absent father will return, young Daya chafes under the stern hand of her mother. Forced to move inland from their seaside home to a desert of constantly shifting sands, the pair settle down to their familiar antagonism. Finally, Daya sees a vaguely familiar face shuffle in from across the wasteland.

By her mother, Kila was entrusted to her grandfather who lived in the village. She then meets her old friend and involved in an unexpected adventure.

A study of middle class life in Jakarta.

Set in 1960s Java, a young Javanese woman betrays her teacher, falls in love and must face dire consequences.

Dunia Tanpa Koma tells the story of Raya, a young female journalist in a weekly news magazine called Target, who tries to publicize a piece about a drug syndicate at her magazine.

The level-headed owner of a struggling coffee shop finds his future at risk when his partner—a talented but cocky barista—makes a major bet with a wealthy entrepreneur. To save their beloved shop from bankruptcy and overcome their differences, they must find the ultimate perfect cup of coffee.

Because of his wife’s encouragement, Prabowo enters a dangerous business and is eventually imprisoned. While waiting for his trial, his business partner, Wahyuni the divorcee, whom he also loves, bails him out. Their children Ani and Reni, who have to downgrade from their mansion to a flat, suffer from the shock of change. They resort to drugs and prostitution to escape reality. While the mother is sick, Wahyuni becomes intimate with Prabowo. Once found out, they slowly try to solve each problem. Wahyuni is willing to reconcile the entire family. So Rini attempts to become a photographer, by following her boyfriend, a tour guide in Bali. There is another character, a journalist, who comes in and out of the film, and functions as a commentator and witness of their lives. The dialogue veers on philosophical messages as director, Slamet Rahardjo, tries to represent both the lower and upper classes, mixing his narrative style with realism.

In Jakarta, a young journalist struggling to escape from the confines of familiar obligations, receives a telegram informing him that his mother is dying.

Ambar and Raka have planned their wedding and dreamed of a happy future together, just like any other couple. But their plans are put to the test when Akung Abi and Nin Sita — their grandfather and grandmother — turn out to be former lovers who parted ways 56 years ago. Since their youth, the relationship between Abi and Sita has been shaped by a past filled with stories that were never truly resolved. Without realizing it, that unfinished history begins to affect Ambar and Raka’s relationship in the present. The deeper they uncover their grandparents’ past, the more they feel that something has remained unsettled for the last 56 years.

Although Ayu has been honest, Sutra is continuously haunted by the fact that Ayu was not a virgin when they married, even after five years of marriage. As a result, Sutra always faces problems in having sex with his wife. Then when he finds out that Ayu met her old friend, Manaseh, Sutra becomes increasingly suspicious and his mental state grows unstable. He himself has a relationship with Rhoda Darsono, who has a very possessive nature. This disturbs Sutra, who only wants to have fun with her. Just when Sutra starts to realise his mistake, he is murdered.

The world of science is shocked with the creation of sophisticated weapons as the savior of the world from giant asteroids that can hit the earth in the future. But, these weapons are successfully hijacked by a group of villain led by Durja King and transformed into a threat of destruction. But in times of crisis, GARUDA appears as a figure who has super power that can save the world.

Tara is the only witness of the massacre of her adoptive parents. The trauma was so deep that it made Tara need the help of a psychologist. Increasingly, it seems there is something hidden from within Tara

Bram and Nona marry without her parent’s approval, as she is already arranged to marry Paul. The life of the husband and wife is only supported by Bram’s small salary so they live in the slums, which is realistically depicted. They also have problems with Nien, Bram’s old unmarried sister.

Short on cash, food analyst Sari makes a deal to go on a blind date, only to realize she's been set up with Utama, her hateable but handsome boss.

From the real life story of Marsinah, an Indonesian activist that was kidnapped & found dead on May 1993 after a demonstration act.

Four siblings go missing and wake up in the afterlife, undergoing punishment for their worldly sins in the depths of hell.